Discussion On The Aesthetic Image Of The Golden Calligraphy Of Shang And Zhou Dynasties

The research on the aesthetic image of calligraphy in Shang,Shang and Western Zhou Dynasty inscriptions on bronzes has not formed a complete theoretical system.Compared with the research on the history of calligraphy,calligraphers' case studies,calligraphy theory studies,calligraphy and philology studies,the research results are still very weak.Starting from the research on the aesthetic image of calligraphy in Shang,Zhou and Jin Dynasties,it should become an important breakthrough in the research on the aesthetic image of calligraphy.In the process of concrete statement,this paper adopts the methods of historical documents,style analysis,mutual proof between pictures and texts,and the combination of logic and analysis.The calligraphy of the bronze inscription in Shang and Zhou dynasties reflects people's respect for the culture of "ritual" and "music" from the worship of wizard and ancestor gods.the evolution of bronze inscriptions has gone through a long historical process.From the end of the Shang Dynasty to the early Western Zhou Dynasty,the calligraphy of inscriptions on bronzes obviously showed inherited characteristics in the form and marks of inscription.It retained the charm and meaning of inscriptions on bronzes of the Shang Dynasty.From the simple form of the combination of totems and clan insignia in the Shang Dynasty to the later recording of events,it showed the awakening of aesthetic consciousness under the heavy spiritual consciousness of the ancestors in the Shang and Zhou Dynasties.The period went through three periods:the early Western Zhou Dynasty,the middle period and the late period.The early period was full of extraordinary and profound meaning,the middle period was full of profound and elegant,and the late period was full of wanderingThis article is composed of five parts:The first part is the explanation of the concept of'aesthetic image",discussing the definition,connotation and characteristics of aesthetic image respectively;The second part discusses the causes of the "aesthetic image" of Jin calligraphy in Shang and Zhou dynasties.The third part focuses on the aesthetic image features from the formal beauty(linearity,structure and composition)of Shang and Zhou Jin calligraphy.The fourth part is about the relationship between "figure and bottom" in the aesthetic image of Shang and Zhou Jin calligraphy.The fifth part analyzes the aesthetic image of Shang and Zhou Jin calligraphy from the perspective of aesthetic intuition psychology of "simplification","meaningful force style" and "heterogeneous isomorphism".Art appreciation is a special dialogue with aesthetic image as an intermediary.Calligraphy art appreciation in Shang and Zhou dynasties is a special dialogue with aesthetic image in Shang and Zhou dynasties.Calligraphy aesthetic image in Shang and Zhou dynasties is the basic element and intermediary of aesthetic psychology in Shang and Zhou dynasties.The study of calligraphy aesthetic image in Shang and Zhou dynasties provides a sustainable survey field for the study of calligraphy aesthetic psychology activities,reveals the connotation of calligraphy aesthetic image,expands the research path of calligraphy aesthetics,and develops the thinking of aesthetic modernity.