| The period of Wei,Jin,Southern and Northern Dynasties was a period of integration of various ethnic groups in China.Due to the change of regimes in the north and the south,the exchanges between the South and the North were also extremely frequent,which created an excellent exchange of political,economic,cultural and artistic exchanges between the two regions.conditions of.The artistic blending of the Wei,Jin and Southern and Northern Dynasties not only inherited the artistic tradition of the Han Dynasty,but also in the process of exchange and integration between the North and the South,and was one of the important foundations of the later development of the art in the Sui and Tang Dynasties.It is not difficult to see that the artistic blending of the Wei,Jin and Southern and Northern Dynasties occupied an important position in history.The lacquer paintings unearthed provided material for the blending of the North and the South in this period of later studies.Foundation,this study is based on this.Firstly,the significance of this research is clearly defined,as well as the current research situation in the history and archaeology circles of China.Secondly,the stencil painting of Sima Jinlong Tomb is used as the entry point.Through the in-depth study of Sima Jinlong Tomb,we can fully understand the tombs of the northern area at that time.Culture and painting art provide directions,and can explore the theme source,image structure characteristics,composition and line usage skills of the unearthed lacquer paintings in Sima Jinlong’s tomb,and the transformation of the styles;again,the classic paintings by Gu Yuzhi in the south are taken as an example.The theme,image,composition and expression style of the southern paintings are obviously contrasted with the analysis of the previous ones.Looking at the many works of Gu Yuzhi,they all strive to pursue the communication of the characters "God",fully demonstrating that Gu Yuzhi is good at communicating through the eyes between the characters.Communicate the connection between objects and the mood of the entire picture.This is the embodiment of the expression of the characters in the painting,and the sublimation of the artistic sentiment and atmosphere embodied in the whole picture.Finally,the two are combined for analysis,emphasizing the specific historical facts of the blending ofart in the South and the North,and appropriately extending The prevalence of the seven sages of the bamboo forest and the contents of calligraphy in the paintings complemented the tombs of some northern regions and enriched the research content of this article.This paper systematically studies the blending of art between the South and the North during the Wei,Jin,Southern and Northern Dynasties.Through the analysis of specific works,it has a strong contrast effect and is an attempt to make full use of the knowledge that one has learned. |
