The Nonentity In The Big Era:the Humanistic Spirit From The Civilian Perspective Of Nonentities

From the late 1980’s to the early 1990’s to the present,individuals have gradually been recognized and concerned by the era and society,and storytelling of nonentities and ordinary people have become more and more common.With the development and change of the era,Internet,media and the producers of independent documentaries have gradually begun to move closer to nonentity documentaries.At the same time,nonentity documentaries have become more and more trusted and loved by the audience.Because the story of the individual being told is the nonentity around themselves in the same era or even themselves,empathy can also experience the warmth and coldness of society and the life force of individual existence and the link between their destiny and the era.The humanistic spirit reflected in the personalities of the minors through the perspective and methods of civilians,the aesthetics,ideals,beliefs,and struggles for the life they want,and the optimistic attitude towards life,are the documentaries of the minors.The true purpose and meaning to be expressed.Therefore,this article takes the nonentity documentary from the perspective of civilians as the main research object,and analyzes and elaborates the humanistic spirit contained in it.The article has four core chapters: The first chapter uses the relevant literature theory and Kant and Feuerbach’s humanism theory as the theoretical basis to interpret and define the documentary of the people from the civilian perspective and its humanistic spirit and combing the development of the documentary of nonentities in China from the civilian perspective.The second chapter starts from the survival state of the nonentity,respects the existence and value of the individual,and combines the characteristics of the nonentity with the characteristics of the small person and the characteristics of life to analyze the capture of the personality,the living environment and the background.The third chapter discusses the three aspects of the small person’s inner aesthetics,ideals,beliefs and beliefs and selects "Bumming In Beijing","A Way Out",and "The Extreme Road" to explore the inner world of the subject.The fourth chapter starts from the aspects of the life situation of the nonentity and the connection between one’s own destiny and social destiny,systematically elaborating the smallness of the nonentity in the big era and the pulse of the big person’s destiny touching the big world and big era.