A Study On The Villager Photography In The Log Of Pucun Village

As a category of participatory images,village—community images transfer the power of cultural expression to the holders of local culture,which is different from traditional documentaries in that they pay less attention to the quality of films and pay more attention to the interpretation of the community culture and the actions taken by villagers in the process of filming.The new way of cultural interpretation has attracted the attention and research of film and television anthropologists.However,most of the researchers focus on the final finished works of the image,and the production of the image content also raises a series of questions on the authenticity of the empowerment,ignoring the most important interaction among the villagers,the image and the community.The accumulation of materials shot by villagers for a long time and the feedback to the community after the completion of the film have become a new problem.In recent years,the production of rural — community images has gradually matured,and the establishment of image library has become one of the goals of the development of film and television anthropology.The construction of local knowledge in the form of a journal has gradually become a new direction of training.The sustainable photographing of villagers in the role of holders of local culture has become a new way of writing the image ethnography."Pucun log" is the first attempt to complete the project result of image recording in the way of log by the public welfare organization village eye,which has been engaged in the production of community—village image for a long time.During the one—year shooting process,the villagers not only developed their own technology,but also reunderstood their own culture and took actions.The author made a case study of pucun journal,and studied the production and shooting practice of the video content before and after the video journal,as well as its impact on the community in three parts.The author analyzed the relationship between the villain — community image photography and the photographed,the research of the internal and external perspectives,and the cultural consciousness of the photographer himself.Through the deep description and analysis of the specific action cases of the photographer of pucun journal,the photographer changed from passively understanding the culture to actively expressing and protecting the self—culture in the specific production process of the image.A hollowed out village has been continuously recorded by the camera in the changing times.The village—community image constructs the local knowledge in the form of a journal to find a new direction for us to write the ethnography with the image.