Study On The Spatial Construction And Cultural Practice Of "folk Singing On Internet”

Under the contemporary context,the role of the Internet is increasingly prominent.Under the operation of technology,cyberspace and physical space are inevitably intertwined.Also,the boundary between the real and the virtual is becoming increasingly blurred.And the individual needs to shuttle back and forth between the real and virtual,the "offline" real life and "online" virtual life are closely intertwined and together constitute the individual’s present life world,Online life has become part of an individual’s daily life,and the meaning of culture can be seen in the daily life of individuals.Under this background,the practice scene of folk culture also turns to another road along with the turn of individual living space--cyberspace.Therefore,the author uses the We Chat group of “Xiao Caihua” Tik Tok account as online field points for real-time observation and statistics.At the same time,the offline interview and investigation of "Little Cauliflower" Cai Zhie enters the real life scene and strives to make the field survey data comprehensive.Through the continuous online and offline research,the spatial construction and practice process of culture in the network under the effect of technology are explored and the multiple folk customs and cultural meanings hidden behind the antithesis practice are explained.This paper argues that in this new cyber world,due to the difference between culture and physical space,culture and network technology are constantly playing games,reorganizing and mutual construction.At this time,the network not only provides a broader platform for cultural transmission,but also becomes a structural force for the formation of cultural forms.Under the influence of technology,the traditional form of culture has changed and generated a new practical logic.In the network field,individuals follow the new logic and paradigm to carry out cultural reproduction independently,and their practice and speech mode are not only based on tradition but also transcend it.Folk culture has found the possibility of new existence and practice in the network space.This paper focuses on the phenomenon of antiphonal singing on Intennet,which is composed of three parts: introduction,four chapters of body and conclusion.In the introduction part,the reason for the topic selection,the purpose and significance of the research,the research review,the research content and the research method are expounded.In this part,the relevant research results about the network space and the network singning in antiphonal are sorted out,and the writing ideas and clues of the article are found through the sorting and discussion of the literature.The body part consists of four chapters.The first chapter is an overview of Cai Zhie,the fieldwork subject,and two online field spots: "Xiao Caihua Culture Media" folk song group and "Xiao Caihua Wang Zhong Wang " Tik Tok account.This chapter not only gives a detailed description of Cai Zhies personal life experience and the course of singing folk songs,but also introduces the basic information and personnel composition of the folk songs group and Tik Tok account formed by Cai Zhie.The second chapter combs the evolution of the field of folk song inheritance.Due to the multiple changes of population flow,communication mode and life structure,the space of folk song in Guangxi has undergone a transformation from folk sacrifice and folk custom in the traditional period to the modern intangible cultural heritage performance and the field of online duet.However,in the context of the network field,the research on the space and practice of folk songs faces three tortures: how to construct the performance situation;how to practice folk songs in space;What kind of cultural connotation is generated in the practice.With these three questions as the research ideas,the author focuses on the analysis and discussion in the third and fourth chapters,which are also the key parts of the paper.The third chapter elaborates the spatial structure of the virtual community,the practice of the folk song group,and the generation of the meaning in practice.In the We Chat scene,community members construct the singing performance space through the construction of daily situation and maintain the operation in the space through the restriction of rules.The whole process of cultural practice is completed through the interaction of virtual propaganda,antithesis,evaluation and sharing among the group members in the space.In this process,individuals produce three cultural meanings,namely power relations,emotional expression and identity construction.The fourth chapter discusses the spatial structure and operation of Tik Tok account--"Xiao Caihua Wang Zhong Wang ",the practice of folk song performance and watching in the short video,and the generation of meaning in this process.Under the scene on Tik Tok,the practice of folk songs changed from virtual "interaction" to "performance and watching".The multiple applications of Tik Tok technology provide the audience with a new "visualized" oriented performance scene,while the social behaviors on the same interface maintain the continuous operation of the duet space.In this space,folk songs are practiced through offline performers’ behind-the-scenes performance and video release as well as online audience’s viewing and comments.In such practice,folk song culture can return to the logic of individual life and performers’ self-identity can also be constructed.The conclusion of this paper summarizes the analysis and discussion of the article,and expounds the author’s point of view: the network has become a structural force to shape folk culture,and culture has shown its strong adaptability and vitality under the network situation,and it has found the possibility of its survival in the game with technology.The researchers focus on how culture is practiced and spoken in this game.At the same time,the virtual practice of culture is a new practice form of contemporary culture,and the network life has already formed an inseparable part of the current individual life.Folklore researchers pay more attention to the network,this new fertile field.