The Formation And Development Of The Early Thai Film Industry From The Perspective Of Multi-Society(1897-1937)

The period from 1897 to 1937,as the formation and development of Thailand’s early film industry,was in the background of social turbulence with twists and turns and forced opening of economy and trade.The absolute monopoly of the royal family on trade was broken,and the continuous integration of the western economic system led Thailand to be involved in the development model of the capitalist market.The economic systems of many countries competed with each other in Thailand,and the cultures of different countries merged and coexisted in Thailand for a while,forming a diversified social background.The early Thai film industry,which took the film and film industry as the development position,showed the international commercial trend of multi-country game,and finally the film company founded by Chinese monopolized the film market.The development of the early Thai film industry has become a personalized research paradigm of the history of Thai film in the form of modern urban culture while integrating the cultures of many countries.In view of this,this paper focuses on the historical background of the formation and development of the early Thai film industry,trying to explore the deep-rooted social reasons for the formation and early development of the Thai film industry,and by sorting out the internal development of the Thai film industry,complement the shortcomings of the research on the early film history of the Thai film industry.This paper will be divided into the following sections: The first chapter systematically and completely summarizes the historical background of the formation of the perspective of Thailand’s plural society;The second chapter focuses on the description of the formation and development of Thailand’s early film screening industry.With the support of historical materials,it reverts the texture of the era when Thailand’s early film screening industry was developing passively in economy.The third chapter sorts out the development of the early Thai film production in each period,focusing on the historical description of the Thai film genre creation.The fourth chapter turns from the description of historical phenomena to cultural thinking,analyzes and compares the relationship between film and social culture,and tries to analyze the formation and expression of culture in historical context.The fifth chapter focuses on the intervention and influence of the Chinese in the Thai social activities in the first half of the 20 th century on the early Thai films,interprets the relationship between the Thai film culture and social activities from the perspective of history,and interprets a film historical issue or phenomenon from the micro level or the cultural history level.The sixth chapter focuses on analyzing the historical significance of the rise of Chinese film industry in the multi-competition pattern of Thai film industry in the early period to China’s film industry going abroad.In the above section,relying on the relatively clear historical materials in the early stage,this paper will continue to dig into the deep social phenomena behind the historical materials from the perspective of "history of problems",combine the narration of historical facts with the interpretation of culture,and conduct objective thinking on the writing of early Thai film history with the consciousness of problems as the leading role.Analysis of social culture,economy,system and change the path of the form of the early cinema in Thailand,twists and turns in the state of the problems we face at home and abroad and civil culture thriving phenomenon as well as the Chinese community sport culture in today’s world’s film industry an important reference in the competitive landscape,and then this paper will provide new historical data mining and micro perspective about the Thai film the shortcomings of previous studies,Make helpful supplements.