Zhu Yunming’s Acceptance Of Huang Tingjian In Cursive Script

Zhu Yunming has a very high position in the calligraphy history of the Ming Dynasty.His calligraphy is good at many aspects and has many features.Among them,wild grass is the most respected and deeply influenced by Huang Tingjian of the Song Dynasty.This paper takes the theory of reception aesthetics as the research perspective.Firstly,it discusses the background and conditions of Zhu Yunming’s acceptance of Huang Tingjian.In the early Ming Dynasty,there was a lack of acceptance of Huang Tingjian by calligraphers.The spread and spread of Huang Tingjian’s calligraphy in the middle of Ming Dynasty is the objective condition for Zhu Yunming to accept his calligraphy.It is of great significance for Zhu Yunming to learn from Huang Tingjian and other Song Dynasty calligraphers.Secondly,it demonstrates that Zhu Yunming’s praise of Huang Tingjian’s calligraphy theory and calligraphy origin is the reason why he can accept Huang Tingjian.Thirdly,it points out that copying and imitating calligraphy contributed to Zhu Yunming’s acceptance of Huang Tingjian,which is reflected in Zhu’s many existing cursive scripts.Finally,it summarizes the contribution of Zhu’s cursive calligraphy,and on this basis,expounds the Enlightenment of this study on my calligraphy creation.