On The Construction Of Space-time In Ye Zhaoyan’s Nanjing Writing

Ye Zhaoyan is an important writer in the history of contemporary Chinese literature.He has been engaged in literary creation for more than 40 years and has published numerous works.Looking at Ye Zhaoyan’s more than 40 years of creative history,it is not difficult to find that the city of Nanjing has always been his most important creative resource,and Nanjing writing has become his unique creative label.From the perspective of space-time construction,supplemented by Bakhtin’s space-time form and literary geography and other related theories,this article conducts an in-depth discussion on the space-time construction in Ye Zhaoyan’s writings in Nanjing,and explores Nanjing’s space through the integration of time and space and the isomorphism of city and people.The unique cultural charm of this city explores the contemporary significance of the time-space construction in Ye Zhaoyan’s Nanjing writing.The full text is mainly divided into the following parts:Chapter One: Discuss the time construction in Ye Zhaoyan’s writing in Nanjing.First,according to the time dimension,his novel creation is divided into three series:the old Qinhuai,the "Cultural Revolution" years and the current daily life.Secondly,a detailed analysis of the fusion between the grand historical time and the secular daily time in his novel creation was conducted to explore the characteristics of these two time forms in Ye Zhaoyan’s writing in Nanjing,that is,Ye Zhaoyan always regards the grand linear historical time as the writing background,Through the "coincidence" of major historical nodes and individual memories,to highlight the trivial worldly life of the little people under the huge historical changes,as well as the spiritual feelings of the individual’s joys and sorrows contained therein.Finally,it analyzes Ye Zhaoyan’s time construction strategy in Nanjing’s writing from two aspects: timing and rhythm.Chapter Two: Discuss the space construction of Ye Zhaoyan’s writing in Nanjing.Combined with the space production theory of Lefebvre and others,the space in Ye Zhaoyan’s novels is roughly divided into two levels: one is the micro-living space,that is,the daily life space of the characters;the other is the macro-regional space,that is,it has a unique regional cultural color.Space.In the multi-dimensional space construction,I really feel the urban spiritual culture of nostalgia and pioneering in Ye Zhaoyan’s writings.It also analyzes Ye Zhaoyan’s spatial construction strategy in Nanjing’s writing from the perspectives of juxtaposition and "metafiction".Chapter Three: Through Bakhtin’s theory of space-time body and the symbiosis of city and people,it elaborates the "Kingdom of Nanjing" described by Ye Zhaoyan.The time trace in the space image and the spatial interpretation of time,the city of "her" and "she" in the city not only have the same charm,but also the fate of each other and the mirror image of each other.The aesthetic fusion of "timeliness" and "spatialness",and the isomorphism of city and people,together constitute the unique city in Ye Zhaoyan’s literary creation-Nanjing.Chapter Four: Discuss the meaning of time and space construction in Ye Zhaoyan’s Nanjing writing.The author mainly starts from the display of Nanjing’s unique cultural charm and the prospect of Nanjing’s future in the confrontation between tradition and modernity.On the one hand,through the memorial of traditional culture and the writing of Nanjing’s human character,it demonstrates Nanjing’s unique cultural charm-elegy and solid coexistence.On the other hand,he jumped out of the identification of traditional culture,and explored the inheritance of traditional culture in the modern context with a developmental perspective.The past serves the present,so that the tradition can be reborn in the process of urban modernization,and it is endowed with While the traditional culture is fresh and vital,it provides useful inspiration for the urbanization of Nanjing.