| The frescoes in the tombs of the Tang Dynasty are one of the most well-preserved forms of ancient Chinese paintings.It is different from paper and silk paintings.It seals the memories of the times and the course of history in a closed storage method,breaking the pattern of time and space,and passing through the eyes of people from a thousand years ago.The frescoes of the Tang tombs are treasures left over from the times.They are not only a symbol of the prosperity and prosperity of the Tang Dynasty culture,but also a model representative of cultural opening,exchange and development in Chinese history.The landscape murals of Han Xiu’s tomb,as the shining jewel among the representatives,set off another wave of research on the society,culture,history,politics,economy,religion,and humanities of the Tang Dynasty.With its status as the earliest and largest mural painting in the panorama landscape tomb in Chinese history,its extremely high value for art history research has attracted great attention from the industry and many scholars have discussed and studied it in an attempt to analyze all the nutritional value of its preservation.Through in-depth research and field investigation of the landscape murals of Han Xiu’s tomb,the author found that the academic circles’ exploration of this subject is disorderly,or one-sided or shallow or lacks systematic demonstration.Based on the huge research value of the landscape murals in Han Xiu’s tomb,the author re-enters the historical retrospective exploration from a new perspective,and analyzes the humanistic value and spirit of the landscape murals in depth,meticulously and objectively with the opening method of iconographic research.Factors will digest and absorb the neglected and undiscovered important sectors,and contribute to the study of art history.There are five chapters in this article.The first chapter explains the current situation and historical background of the landscape murals in Han Xiu’s tomb,and analyzes its important historical status and value.Chapter two uses iconographic research methods to analyze the pictures of the landscape murals in Han Xiu’s tomb in detail.The content,combined with Sheikh’s six methods,interprets painting techniques,imagery,experience,etc.from different angles,and puts forward reasonable assumptions based on the content to get a rational and perceptual understanding;Chapter Three,studies the individual of Han Xiu’s tomb The iconography and the group iconography of the landscape paintings that appeared in the tombs of the same period traced the possible authors of the landscape murals and brought individual images into the system of art history,combined with the historical environment,to interpret its in the history of Chinese art and the history of Chinese landscape painting The exact identity and status have been recognized in a macro and clear structure.Through the study of group images,the similarities and differences of the landscape murals in the same period were compared horizontally,the clear context and process of the development of landscapes in the Tang Dynasty were recognized,the popular painting methods and styles of the landscapes in the Tang Dynasty were grasped,and the growth process of the landscape paintings in the Tang Dynasty was comprehensively grasped;The fourth chapter analyzes the creative motives and inspiration sources of landscape murals from various fields including politics,economy,culture,religion,etc.In a many-to-one format,and explores the meaning and symbolic value that the creators consciously or unintentionally endow,and pursue comprehensive intuition and intuition.The basic tendencies of the human mind.It specifically analyzes the relationship between the tomb culture of the Tang Dynasty under the regulation of etiquette,the flourishing religious culture of Buddhism and Taoism,the high degree of economic and cultural prosperity,and the formation of landscape murals,and studies the causes of Han Xiu’s political fortunes and family members for his creation;The five chapters summarize and sort out all the research work,review and briefly list the research results obtained and the problems solved,reflect on the deficiencies in the research process,and emphasize the historical significance and value of the frescoes in the Tang tomb,and appeal to the academic community Pay attention to and continue to draw nourishment from the study of art history,so that the national spirit renews iteratively and thrives.Borrowing the past for the present,the author,as a heritage and practitioner of Chinese landscape painting,through the study of the landscape murals of Han Xiu’s tomb,I immersedly study the art history of the Tang Dynasty,where I can experience the legacy of Tang Dynasty art through myself.It also absorbs the unique essence of the Tang Dynasty paintings,so as to draw lessons from and guide future creations,consolidate the artistic and cultural heritage,and take root in the thick soil of traditional Chinese paintings and landscapes.At the same time,I will contribute my research results to the academic circles of history,and look forward to making my contribution to the development of national culture. |
