A Comparison Of Seven Studies On Modern Sounds

Modern Chinese pronunciation refers to the Chinese phonetic system in the 13th and 14th century,which is mainly reflected in the rhymes of Zhongyuan rhyme.Based on the research results of seven scholars,Luo Changpei,Zhao Yintang,Lu Zhiwei,Ning Jifu,Yang Naisi,Wang Li and Li Xinkui,this paper compares the differences from the aspects of phonology and tone,and analyzes the causes of the differences?In the aspect of initials,the differences are mainly in the following aspects:whether the total turbid initials disappear completely,whether the doubtful initials are independent,the separation and combination of Zhizhuang Zhang and its sound value,whether the group initials are jaw shaped,the sound value of micro initials and Japanese initials,etc.In terms of vowels,the differences mainly focus on whether there is a preposition in the second-class rhyme,how to classify the two rhymes of Dongzhong rhyme and Gengqing rhyme,whether the four calls are formed,and whether the main vowel values of individual rhymes are to be measured,such as:the value of song and Ge rhyme,the value of Huan Huan rhyme,and the value of Qi Wei rhyme.In terms of tone,there is no difference between yin and Yang,and there is no difference between them.There is basically no difference among the scholars of tone about "Ping","Shang" and "Qu".The main reason is whether there is such a problem in the actual pronunciation of the "three tones of entering school",which is different from each other.Through comparison,the following conclusions are drawn:Luo Changpei used inductive method to research the sound category of Zhongyuan rhyme,which laid a foundation for later scholars' research,but there are some difficulties in the research of inductive method,such as the division and combination of Zhizhuang chapter and the combination of shadow mother.On the basis of Luo's theory,Zhao Yintang made a study of the sound category and the vowel value.Lu Zhiwei combined with the translation of the Ba Si Ba characters and other materials,and put forward a new view on the category of phonology and rhyme.Yang Naisi also combined with Mongolian rhyme,ancient and modern rhyme meeting summary,rhyme category compilation and other materials to test the vowel value,and combined with the entering voice of Zanhuang and Yuanshi dialect to supplement the view that Lu Zhiwei's entering voice exists in the actual pronunciation.Wang Li constructs the vowel value of the consonant through the inversion of Zhongzhou rhyme and the Quci.In the construction of Zhizhuang chapter,his views are different in the early and later periods,and he thinks that the entering voice has disappeared.Ning Jifu used the method of internal analysis to summarize the situation of consonant and rhyme coordination in Zhongyuan rhyme,and found that the in and out voice needs to be divided into three tones for composing in Zhongyuan rhyme,but it still exists in the actual voice.Li Xinkui's research on Zhongyuan phonology is more comprehensive.He puts forward that the phonetic basis is Henan phonology with Luoyang as the main voice.He systematically and comprehensively discusses the combination of Zhizhuang and Zhang into a set of[t(?)]?...