Zhu Jia's Calligraphy Research

Zhu Jia is a calligrapher integrating modern and modern inscriptions.He has profound knowledge and devoted his whole life to the development of calligraphy.In the theory of calligraphy,Zhu Jia compiled the book History of Calligraphy,which played a positive role in promoting the perfection and development of the history of calligraphy in modern times.In the practice of calligraphy,he followed the idea of using tablet to enter the calligraphy,and formed "tablet style running script",zhang cao,seal script and official script,which had a high artistic value.In his articles "The Problems of Higher Education of Calligraphy" and "How to Revitalize Our Calligraphy",he earlier proposed the popularization of Calligraphy and the construction of Calligraphy Education.In addition,Zhu’s works,such as "Collection of Books on Calligraphy" and "Linshu Cong Tan",included a large number of basic research work on calligraphy,such as double-hook copying of characters and appreciation and analysis of single characters,which made a lot of efforts for popularizing later learning and reviving Calligraphy.On the basis of drawing lessons from previous studies,this paper is divided into four chapters to discuss Zhu Jia’s calligraphy art and its contribution to later generations of calligraphy.In the first chapter,the author systematically sorts out Zhu Jia’s calligraphy practice from the three parts of inheritance period,formation period and maturity period,selects the classic works of each period and clarifies Zhu’s calligraphy learning process in combination with the historical background,calligraphy learning thoughts and comparison between people at that time.The second chapter,from the "style","style" two aspects,Zhu Jia "full of gas" "tablet style running script" is discussed;Selecting zhang cao works of zhu jia’s tablet school in his later years,from the perspective of "qi" of calligraphy aesthetic thought,this paper sorts out and summarizes the works into three parts,namely "noble and upright qi","backbone qi" and "clumsiness qi",to reflect the aesthetic implication of "magnanimity,simplicity and clumsiness" of zhang cao.This paper analyzes the image form of Zhu Jia’s classic masterpiece,Sun Zi’s Art of War,and reproduces the artistic value of Zhang Cao’s works,which are "pure and simple".The article analyzes the artistic characteristics of "old,fierce and vigorous" in seal script and official script.The third chapter,through the analysis and summary of Zhu Jia’s published articles and works,summarizes the two parts of the essence of book learning thoughts: the view of inscription and calligraphy aesthetics.Emphasis is placed on the thoughts of "Qi Man Theory" and "Shuo Qu Theory" in the presentation of aesthetic concepts.Finally,through reviewing and sorting out the development and evolution of modern calligraphy history,this paper objectively reappears the value and status of Zhu Jia’s History of Calligraphy,explains Zhu Jia’s calligraphy education and the basic work of calligraphy,and reflects his important contribution to the history of modern calligraphy.