On The Tragic Characters In Chinese Contemporary Dance Dramas (1979-1999)

The dissertation focuses on the tragic characters in dance dramas,adhering to the perspective of in-depth interpretation and self-reflection,trying to explore the development law and aesthetic characteristics of tragic characters in contemporary Chinese dance dramas within a specific historical time frame.In the contrast of synchronic comparison and diachronic combing,the thesis examines the artistic and tragic dance works that have emerged in the past two decades and extracts three typical tragedies that are modern and forward-looking,including new youth,enlightened women,and the bottom of society.Character image: At the same time,starting from the three elements of family and country feelings,character guidance and value conflicts,based on the creative background and script prototypes,the cause of their tragedy;from the three elements of stage image shaping,destiny plot structure,and the unity of the tragedy environment.It presents an in-depth analysis;finally,it comprehensively discusses the existence and aesthetic dimensions of the characters in the tragedy paradigm and analyzes the aesthetic characteristics and practical significance of the tragedy characters in dance dramas.The thesis summarizes and summarizes the tragic characters in the works,sorts out the artistic law of the development of tragic characters in contemporary dance drama creation,and digs deeply into the realistic characteristics reflected in the creation of tragic characters through a certain number of works,and discusses them.The aesthetic characteristics of the tragic characters in the time frame are summarized.