On The Application Of Ethnic Elements In The Original Musical "Silk Road Love Song"

The original musical "Love Song on the Silk Road" is one of the projects funded by the National Art Fund in 2016.It uses the local customs of Sichuan as the cornerstone and the "Southern Silk Road" as the macro background to artistically reproduce the "Tibet,Qiang and Yi Cultural Corridor" Among them,a large number of intangible cultural heritages,such as Shu brocade,Shu embroidery,Tibetan embroidery,Qiang embroidery,and Torch Festival,are presented on the stage,which is of positive significance for the display and promotion of the ethnic group’s excellent traditional culture,as well as the inheritance and development of intangible cultural heritage."Silk Road Love Songs" has created a beautiful business card belonging to Sichuan for the world with its unique perspective,the advantages of regional multi-ethnic culture,and the concentrated expression of the cultural characteristics of ethnic minorities in the southwest.It also spreads the voice of China to the world.It artistically shows that the Southern Silk Road is not only a trade road and a cultural road,but also a road of ethnic unity.This dissertation analyzes "Love Songs on the Silk Road" through literature research methods and case analysis methods.First,it briefly introduces its creation background,plot summary and ethnic minorities appearing in the play,and adopts "intangible cultural heritage".To comprehensively analyze the creative characteristics of "Love Songs on the Silk Road" from several aspects,music,drama poems,drama,dance,and stage beauty,so as to further study the use of ethnic elements in the play,and at the same time extend the consideration of the limitations of ethnic elements in musicals. and some of the problems existing in domestic musicals today,and expounded some personal views.