A Study Of The Artistic Conception Of Tsui Hark's Martial Arts Films

As one of the core concepts of the traditional Chinese aesthetic theory system,the pursuit of artistic conception has been in all aspects of Chinese literary and artistic creation.Whether it is in music,dance,calligraphy or painting,creators will use different rhetoric devices to create a unique aesthetic conception,so that the audience can get a sense of beauty while appreciating the work.As a comprehensive art category combining sound and picture,Chinese movies also continuously inherit the national aesthetic culture.The martial arts film is a unique film type in our country,and it is also inseparable from the aesthetic category with national characteristics.These traditional aesthetic thoughts are an important factor that supports the continuous development of martial arts films in history.As a master of martial arts film and one of the representatives of Hong Kong Nouvelle Vague,works made by Tsui Hark have a unique aesthetic pursuit of artistic conception.In the process of film creation,Tsui Hark combines traditional Chinese aesthetics with the modern film and television industry.He inherits the essence of national culture and uses his works to highlight and demonstrate the unique aesthetic characteristics,and the inheritance and innovation of the artistic conception in martial arts films.In this paper,it studies the generation and development of artistic conception theory,Tsui Hark's martial arts style and artistic conception pursuit,and the creation method of Tsui Hark's artistic conception.At the same time,it also selects his classic films such as "Green Snake" and "The Blade" in this paper so as to deeply analyze things in common in the creation of artistic conception in Tsui Hark's works and summarize the cultural connotation and spiritual orientation behind the artistic conception of his works.By using this opportunity,it also intends to explore the positive significance of the artistic conception theory to the construction of national aesthetics and the development of local films.