The Violent Aesthetic Analysis Of Xu Ke's Martial Arts Film

Chinese martial arts film is a film type has influence in the world. Violence is a basic martial arts movie contents and expressions. As a person's behavior is based on raw instinct, violence has inevitably bloody nature of terror, cruelty and killing. Therefore, the use of violence to attract the interest of viewers simultaneously, how to avoid the brutal nature of violence, and to mobilize the good side of human nature, to promote the power of good and the beautiful, has been a core issue faced by martial arts movie.Born in Vietnam and raised in Hong Kong, and well versed in Chinese traditional culture, film director Tsui Hark's martial arts movie, after years of exploration, in the narrative of violence in the formation of their own "aesthetics of violence" paradigm. This paper tries to Tsui Hark's martial arts films representative textual analysis of this paradigm in depth, then put forward the paradigm of martial arts movies enlightenment.The second chapter describes the relationship between Tsui Hark and martial arts movie, and violence as a subject of aesthetic reasons, as well as the development process of the so-called aesthetics of violence made a more thorough discussion.The third chapter viewing angles language use special effects, tone, scene settings, analyzes the general performance mode Tsui Hark violence.The fourth chapter is the focus and innovation of this paper, mainly from the aesthetic, comedy, artistic aspects, as well as the construction and other civilian groups discussed knight martial arts films of Tsui Hark digestion violent manner. Especially in terms of art, Tsui Hark, adopted on traditional Chinese martial arts and culture in the form of dance digging to make violence transformed into a kind of art form deep cultural connotation, in order to fundamentally relieved the brutal nature of violence. Construction knight and civilian population is turning public display of violence, civilians, thereby mobilizing the power of social fairness and justice, but also relieved the sinister and evil nature of violence fundamentally.The fifth chapter sums up the universal aesthetic paradigm Tsui Hark Violence: Violence show-Digestion Violence-Violence Sublimation-sublime beauty, as well as Tsui Hark martial arts movie peculiar Humanities chivalrous and restrained, this is a unique experience Tsui Hark Aesthetics violence and extensive enlightenment.