Research On Wang Shizhen’s Garden Aesthetic And Practice Of Landscape Architecture

Wang Shizhen,as the leader of "the last seven sons" in Ming Dynasty,represented the highest level in literature,history,opera and collection.As a lover of landscape and spring,Wang Shizhen has also made outstanding achievements in the field of garden appreciation.She not only visited a large number of famous gardens and left poems handed down from generation to generation,but also personally participated in the garden practice,and successively built many private gardens with high standards.This paper studies Wang Shizhen’s garden interest and practical achievements respectively.On the one hand,it starts from Wang Shizhen’s era and regional background,combines with Wang Shizhen’s literary works,finds his garden aesthetic,and refines the core idea of his garden aesthetics.On the other hand,it combs the original historical materials related to Wang Shizhen’s garden practice,makes textual research on a wider range of types and genres of materials,and deduces and restores Wang Shizhen’s main garden practice achievements,namely,Liheng garden and Yanshan garden.And the use of threedimensional digital technology to get the plan of three-dimensional restoration,get three-dimensional model,visual display of garden style.On the basis of landscape restoration,the reproduction of landscape meaning is added,and the relationship between Wang Shizhen’s landscape idea and practice is explored.This paper explores the influence of Wang Shizhen’s garden aesthetic and practice in the development history of Chinese classical gardens,and discusses the significance of Wang Shizhen and his garden aesthetic to the development of today’s landscape architecture.Through the study of Wang Shizhen’s garden aesthetic,the following four conclusions are drawn:the first is Wang Shizhen’s appreciation of the dynamic change of the "Mu Jing",that is,emphasizing the aesthetic value and dynamic view of the natural change process of landscape in the garden,in order to find the interactive experience of different landscape.The second is influenced by Wang Shizhen’s literary thought of the concept of both refined and popular tastes,highly praising the rockery and stone scenery and garden scenery with both "Human Dexterity" and "Natural Interest",recognizing the interesting tour experience with strong mutual movement,and understanding the "External Natural Interest",that is,in the process of tour,the aesthetic subject combines his own experience,This paper analyzes Wang Shizhen’s garden literature from different perspectives by connecting the interesting garden experience brought by the dual participation of cognition and spirit.At the same time,it extracts and classifies the scene information in the garden poems of travel notes,summarizes the main elements of gardens mentioned in literary works,analyzes Wang Shizhen’s garden aesthetic tendency of each element,and obtains Wang Shizhen’s aesthetic appreciation of the rich elements of garden construction.Finally,it explores the humanistic thought and compassion reflected in Wang Shizhen’s human nature,summarizes the characteristics of his open and inclusive garden,and believes that Wang Shizhen has been looking for the paradise in her heart all her life.On the basis of combing the relevant literature of Wang Shizhen’s garden practice,through extracting the scene space information,carefully scrutinizing the text and image historical data,combined with the field research of Jiangnan garden in Ming Dynasty,this paper makes a hypothetical restoration of Lizi garden and Yanshan garden,and compares the hypothetical restoration of Yanshan Garden with the original restoration research results,and analyzes the reasons for the differences.Combined with the spatial information of the scene and the plan,a three-dimensional restoration model is established.Based on the restoration of the scene,the landscape meaning is reproduced.From the perspective of stereo vision,the relationship between Wang Shizhen’s garden aesthetic and practice is analyzed.Finally,put Wang Shizhen and his garden aesthetic and practice in the long history of the development of Chinese classical garden,dialectically treat its influence on the traditional garden theory and construction,and discuss its reference significance for the development of landscape architecture.