The "Gusu Version" In The Perspective Of Sino-Foreign Communication Study On New Year Wood-block Prints

"Gusu Version" New Year wood-block prints carry people’s folk ideas,reflect folk beliefs,contain rich national emotions,and concentrate the essence of the history and culture of Wudi.Historically,it has a wide range of practical value.Now,with the change of The Times,its functional role is gradually reduced,but its historical and cultural value and artistic aesthetic value significance is increasingly prominent.In terms of techniques,the "Gusu version" New Year wood-block prints not only inherited the fine traditions of traditional literati painting,boundary painting and other Chinese painting,but also absorbed the engraving and color matching techniques of Hui-style,etc.,and innovated the learning and application of Western painting techniques,integrating the focal perspective and shading techniques of Western copperprints into the creation of traditional wood-block New Year pictures.The picture structure is well-structured,the composition is full,beautiful and elegant,and it has a strong decorative effect.Japan’s "Ukiyo-e" and "Gusu" New Year wood-block prints also have a certain external and internal origin.The Western painting in "Gusu" New Year wood-block prints not only played a role in the innovation of expression techniques,but also influenced the establishment of the vision of Japanese art.For more than 200 years after the Gusu New Year wood-block prints were introduced into Japan,the Japanese art circle has been studying them continuously.Through the research and analysis of the internal origin between "Gusu version" woodblock New Year pictures,Western copperprint and Japanese Ukiyo-e art,this paper further popularized the advanced production techniques and creation techniques of traditional Chinese New Year wood-block pictures,and explained the contribution of ancient Chinese woodblock prints to the development of art and culture in Japan and even Europe.From the perspective of communication between China and foreign countries,this paper discusses the generation and development of "Gusu version" New Year wood-block prints,studies the western techniques contained in them and their influence on Japanese "Ukiyo-e" art.The first chapter analyzes the local generation of "Gusu version" New Year wood-block prints and explores the hidden Chinese classical art form behind them.The second chapter studies the influence of western etchings on the generation of "Gusu Version" New Year wood-block prints under the background of "West wind and East Wind",and discusses the subject matter,perspective techniques,light and shade modeling,line arrangement and size.The third chapter discusses the influence of the Gusu New Year wood-block prints on the art of Ukiyo-e after they were introduced into Japan.The fourth chapter elaborates the current situation of foreign exchange of folk art by "Gusu version" New Year wood-block prints,and probes into the realization path of folk art in contemporary cultural exchange between China and foreign countries.The history of "Gusu version" New Year wood-block prints is a history of traditional Chinese folk art exchange between China and foreign countries,which has built a bridge of aesthetic communication between China and foreign countries.As one of the traditional art styles,"Gusu" New Year wood-block prints have become historical relics bearing national memories.In the perspective of communication between China and foreign countries,the study and research of "Gusu version" New Year wood-block prints is of profound significance for the development of new art,the enhancement of cultural confidence,and the promotion of the excellent traditional culture of the Chinese nation.