A Study On The Representation Of French Teachers In Chinese Universities In Their Students' Oral Assessment Practice

It has been nearly a hundred years since the excavation of the mural tombs in the Han Dynasty,and the research on the mural images of the Han tombs,such as "Heavenly Phenomena","Carriage and Horse",and "Music and Dance",has become a mature topic.Most of the large-scale mural tombs in the Han Dynasty are concentrated in the northern region.The research on the types of mural images in Han tombs mostly involves clothing,diet,etiquette,sacrifice,etc.,but not much attention has been paid to the female group,and the research on female images of the two Han Dynasties is relatively systematic.At present,the academic circle has not introduced feminist research concepts and methods in the field of Han tomb murals.The female images of Han tomb murals cover various industries and fields,such as dancing,feasting,traveling,cooking,etc.There are also a large number of female images in Han portrait stones(bricks),Han Dynasty silk paintings and Han figurines.Introduce the objectivity and necessity of feminist research.This article is divided into five parts.The connotation and value of female images in Han Dynasty tomb murals are sorted out from the aspects of cultural concept,aesthetic value and customs.The first part,"Female Images in the Secular Aesthetic Concepts of the Han Dynasty",begins by tracing the origin of female concepts in the ancient pre-Qin period to analyze the customs and characteristics of women in the two Han Dynasties.The second part,"Analysis of ’Typical Women’ Images in Tomb Murals of the Han Dynasty",mainly uses iconological typology and other methods to analyze the causes and values of female images in Han tomb murals.The third part,"Comparison of other types of female images in Han tombs in the same period",sorts out the connotations of female images in other artistic shapes such as Han portrait stones(bricks),silk paintings,and Han figurines.The fourth part,"The Cultural Value of Women’s Images in Han Tomb Murals",discusses the shape and identity of women’s images under the patriarchal system.The fifth part,"Conclusion",affirms the necessity of applying feminism in the field of art archaeology in the overall art history,and examines and affirms the special value of female images in the Han Dynasty.The author believes that the interpretation of female images has gradually become the focus of art history research in recent years,and the "feminine concept" has become a unique perspective for the study of art history.From the perspective of social development,the female groups of the Han Dynasty gradually broke away from the ignorance and ignorance of the prehistoric period,and participated extensively in production activities,becoming an important part of social politics,economy,and culture that cannot be ignored.The identification of female images in the Han Dynasty is an in-depth supplement to the study of ancient art images,and an in-depth analysis of the identity and behavior of women in the Han Dynasty is a useful attempt and practice of gender archaeological methods in Han Dynasty art images.