A Study On Zheng Min’s Poetry And Poetic Theory

Since the New Culture Movement,whether in society,culture or other fields,the proposition of the times of "modernization" has been suspended.In the course of more than100 years of development,the modernization of new poetry should be the meaning of the title.Zheng Min(1920-2022)is known as the "Tree of the Century" in the history of modern Chinese poetry,she is a witness to the modernization of Chinese new poetry,and an excellent poet and poetic who grew up with Chinese modernist poetry.Zheng Min’s poetry has a long life cycle,rich content,and obvious stages in the development of poetic theory.Zheng Min’s poetry creation and poetic theory have unique value.The topic is selected to sort out Zheng Min’s 80 years of poetry creation and poetic exploration,and according to the poet’s personal experience,poetic expression and changes in poetic concepts,the development process of Zheng Min’s poetics is divided into three stages and comprehensively studied.Among them,1942-1948 is the early period of Zheng Min’s new poetry.At this time,Zheng Min had begun to show a philosophical avant-garde tendency in poetry creation,and the abundant emotions and abstract philosophies of adolescence completed a wonderful combination in poetry,and the new lyrical mode of intellectual lyricism was opened,and lyrical philosophical poetry with both feelings and thoughts became Zheng Min’s main poetic style in this period.The period from 1949 to 1985 was the middle period of Zheng Min’s new poetry.During this period,Zheng Min accumulated rich practical experience and began to try to explain her poetic pursuit in the form of poetry from the theoretical level,and she proposed two poetic structures,"unfolding" and "high-level",which provided us with a new perspective for entering modernist poetry.From 1986 to 2022,this is the late period of Zheng Min’s new poetry.With the wave of post-structuralism,Zheng Min began to turn.Zheng Min regards "return" as an important part of his poetic system,from returning to the poetic ontology to returning to the Chinese mother tongue tradition,the former is mainly reflected in the poet’s smelting of poetic imagery,and the latter is manifested in the poet’s attention to poetic language.Zheng Min’s poetry creation and poetic theory have a distinct personality.She combines the strengths of Chinese and Western poetics resources,and provides new ideas for the development of contemporary new poetry through solid poetry writing and poetic exploration.