The Research Of Song Palace Female’s Poetry

In the Song Dynasty,the development of female literature showed an unprecedented prosperous situation.At present,the academic research on women’s poetry in the Song Dynasty mostly focuses on the boudoir writers represented by Li Qingzhao and Zhu Shuzhen,while the research on Song Dynasty palace female writers is relatively rare,so that the public lacks a comprehensive understanding of the overall style of them.This paper takes Song Dynasty palace female writers and their poetry as the main research object to study specially.It conducts an all-round study from the aspects of author identity,poetry category,creation style,uniqueness cause and literary value,striving to present its basic panorama.Moreover,it makes a certain literary comparison with palace female writers’ poetry in the previous dynasties and male writers’ poetry on the same theme,to fully express the important value of Song Dynasty palace female’s poetry in the history of ancient Chinese women’s literature.The introduction of this paper expounds the research significance of this topic,reviews the research of Song Dynasty palace female’s poetry till now,and points out the fact that this topic has not received enough attention in the field of Chinese literature research;The second chapter focuses on the analysis of the Song Dynasty palace female’s identity and their poetry categories;The third chapter summarizes four creation styles of the Song Dynasty palace female’s poetry,and analyzes it from the aspects of language characteristics and artistic techniques;The fourth chapter analyzes the uniqueness of Song Dynasty palace female’s poetry,mainly from two aspects:the breakthrough and transformation compared with palace female writers’poetry in the previous dynasties,and the differences with male writers’ poetry on the same theme,and points out the causes of the uniqueness from cultural and political factors,The fifth chapter focuses on the value and influence of Song Dynasty palace female’s poetry in the history of literary development from the aspects of Empress Yang and "Jianghu Poetry Disaster",Wang Qinghui and " consciousness of the adherents",by means of mutual verification between literature and history.