Chen Zhuan And The Formation And New Changes Of The Zhejiang School Poetry

Chen Zhuan was an artist active in the Jiangsu and Zhejiang regions in the early Qing Dynasty.For a long time,research on Chen Zhuan only stayed within the scope of the "Eight Eccentrics of Yangzhou",but few people paid attention to his poetry.In fact,Chen Zhuan’s poetry not only has strong individual characteristics,but also occupies an important position in the development history of Zhejiang style poetry,which has great value and necessity for in-depth research.The poetry style of Chen Zhuan is closely related to the Zhejiang School poetry of the Qing Dynasty,but at the same time,it has its uniqueness.This article elaborates on the connection and influence between Chen Zhuan and the Zhejiang School poetry from four aspects.Firstly,starting from Chen Zhuan’s life,explore the people and events that have had a significant impact on his works.Based on existing information,raise questions about some of the doubts about Chen Zhuan’s current life experiences,and then analyze his experiences of meeting Jin Nong,Li E and sitting in Yangzhou to study his poetic style and target audience;On this basis,this article immediately analyzes and grasps the overall artistic style of Chen Zhuan’s poetry works,and takes the "elegant and thin" four character comment as the starting point to deeply analyze the artistic style of Chen Zhuan’s poetry.The "elegance" and "thinness" of Chen Zhuan’s poetry indicate his diverse artistic expression in poetry creation.His poetry features both Jia Dao’s melancholic and Li Bai’s elegant style,and his expression is free and unrestrained,with a preference for ancient style poetry.He is skilled in mobilizing imagery,creating a desolate and thin artistic conception,and expressing his inner sorrow and sorrow.Subsequently,this article explores the relationship between the "Analects of the Ancient" and "Miscellaneous Poems of the Southern Song Dynasty",as well as the Han Jiang Ya Ji,to explore the constructive role of the compilation process of this collection in the construction of the Zhejiang School poet group.Finally,a comprehensive discussion was conducted on the similar cultural soil of "poetry monster" and "painting monster" formed in Zhejiang,as well as the reasons behind this phenomenon.And through the analysis of the cultural environment at that time,we will explore the similar literati mentality between the Zhejiang school poet group and the "Yangzhou Eight Monsters".As a member of the "Eight Eccentrics of Yangzhou" and possessing the identity of a Zhejiang school poet,Chen Zhuan provides us with a new perspective to understand the transformation of this poetic style.His artistic expression is in line with the development and changes of Zhejiang school poetry from the early to middle stages to the late stages.Therefore,integrating Chen Zhuan into the group of Zhejiang school poets for comprehensive research can clarify our poetic style and historical positioning of the development and changes of Zhejiang school poetry at different stages.