Study On Spatial Communicability Of China Grand Canal Museum

In recent years,how to retain the aborigines,continue the pyrotechnics,introduce new forms of business,and increase the vitality of the city has been an important topic.In the field of communication,studies on urban issues have long been started.In the past,we devoted ourselves to enriching urban construction and publicity with media in practice,while ignoring the importance of urban space itself.However,as the research on media continues to move towards technological determinism,the research on media seems to be stuck in a stagnant state.At this time,there were scholars constantly trying to explore new ways,so Lefebvre’s space theory was again valued.Lefebvre proposed the triplet of social space:space practice,space representation,and representational space,which correspond to physical space,conceptual cultural space,and spatial representation in daily life.Space theory is often associated with urban problems,and urban construction pays more and more attention to humanistic construction and high quality and distinctive urban life,so the communication of the city is increasingly paid attention to.China Grand Canal Museum in Yangzhou was built and opened under such a background,attracting a lot of attention and visits,becoming a landmark building in Yangzhou,and making important contributions to the tourism economy and cultural communication in Yangzhou.As a representative urban space,the communicability of China Grand Canal Museum in Yangzhou is also the embodiment of the communicability of Yangzhou city,which is representative and typical.This study based on the theory of column aspects.lefebvre ternary space for China’s grand canal museum space can communication study,column aspects.lefebvre triple body’s space is a crossing and overlapping each other,but for the sake of research convenience,this study from his perception of space and vision space and characterization of the three Angle space,The space of The Grand Canal Museum of China is divided into three levels of entity,culture and spirit,which is easy to study.According to the evaluation system of cities that can be communicated by the Information and Communication Research Center of Fudan University,the communication effect is studied through questionnaires and interviews.Space is also a medium.The China Grand Canal Museum in Yangzhou provides physical landscape communication for citizens,builds national image through local communication,strengthens the connection between the city and other cities,and provides public space for residents’ daily life.The cultural environment of China Grand Canal Museum is created by the ideas of urban planners,museum designers and media,who decide how and what kind of information is conveyed.The Grand Canal Museum of China also provides a meaningful shared space for citizens’ daily life.Virtual technology and digital scenes create a sense of presence combining the virtual and the real,as if returning to the ancient canal and evoking citizens’ "nostalgia" for the city.The embodied experience in the Grand Canal Museum also arouses citizens’ pursuit of "poetic" living life and their memories of their homes,imperceptively enhancing their identity and sense of belonging to the city.However,the communication of The Grand Canal Museum of China also seems to be self-talk,presenting a lot of knowledge and culture,but few memory points.Although there are some high-tech naked eye experience videos of 5G+VR that attract users’ attention,the volume is too small,the interaction is not much,and the distribution is uneven.Most of the pavilions are still mainly simple displays.In the minds of modern users,the Grand Canal Museum of China is indispensable for fun and novelty while fulfilling its educational mission.