Zhejiang new poetry began from the "poetic revolution" at the end of the 19th century, and then went through several periods like the "May 4th" new poetry movement, the romantic poetry tide, the symbolist poetry in the 1920 s or 30 s, and got matured in the 1940 s. It did not revive until the emerging of 1980 s~9, after experiencing the 1950 s~70 s revolution. As the pioneers of modern Chinese poetry transformation, Zhejiang new poetry has a strong influence on the modern new poetry style creation and exploration, leading to a spectacular called "Zhejiang Tide".This paper takes the evolution history of new poetry as the main line, with Zhejiang development as the typical background, regional culture and modern western poetry as aesthetic reference, ranging from 1917 to 1949. As for the research methods, it combines the local literature research with the investigation of the development of Zhejiang new poetry. It features the the embodiment of the aesthetic quality and its overall style.This paper consists of six parts.Introduction mainly summarizes the background, methods and the basic framework. The first chapter Zhejiang Tide looks backe the evolution of new poetry,the status of Zhejiang new poem in Chinese new poetry history and the new achievements, which is to clarify the clues for the development of new poetry.The second chapter Stylistic Awareness and the Ideal of Art, focuses on the consciousness of realism and unique experience.They echo the pulse of the Times, with the unique spirit of realism style, which has realized the realism poetry creation intention and aesthetic ideal.The third chapter Aestheticism-Poetic Art Experience discusses Zhejiang new poets in the process of the construction of new poetry and the romantic verse creation of new poetry.The fourth chapter Pure Poetry-the construction of a modern poetics and poetry transformation, focuses on modern poetry and modernism pure poetry theory.The last chapter Evolution and Development of Zhejiang Poetry, is an overview of the 1950 s~90 s Zhejiang new poetry. |