The Research Of The Mandarin Duck And Butterfly School's Novel Of Modernity

Mandarin Duck and Butterfly School is an important literary and cultural phenomenon of the history of Chinese literature in 20 th century. This is a huge, complex group, covering their creative fiction, essays, Poetry and Lyrics, theater, film and other aspects, especially in quantity, high-impact famous literary novels. Since the new writer of criticism, exclusion and long-standing prejudices, Mandarin Duck and Butterfly School is not accepted mainstream literature, even in the modern novel is regarded as upstream and are excluded from the Modern Literature. However, back to the Republic of China literary field, the true face of the Mandarin Duck and Butterfly School faction gradually rendering. Their work is not entirely conservative, too rich modernity.This modern occurs neither scholar generally finds that the outer hair theory, not a few scholars of endogenous theory, but the three forces-modern production system, outside the traditional literary fiction and the combined effects of results. Accept the one hand, professional writer of production, dissemination of modern media; the public readers Mandarin Duck Butterfly constitute extrinsic modern production system, formed in the late Qing Dynasty Shanghai's city environment. It promotes literature by the private sector into the public domain, prompting Yuanhu writer rethink and establish Author- Text- the relationship between the reader, especially of newspapers and media Modernity Yuanhu novel played an irreplaceable role. On the other hand, Mandarin Duck and Butterfly fiction writer in the process of translation extraterritorial consciously absorb foreign literature of superiority, mastery to his novels, and the novel has some modern form in some respects. Meanwhile, the traditional humanism, traditional style and classical fiction in which plays the potential impact. The Mandarin Duck and Butterfly School's novels of modernity are a local / Western, ethnic / world, traditional / modern fusion produced.Together these three forces opened Yuanhu send Dharma many modern novels. The first is the subject matter. As Western humanism into China, Yuanhu writers concerned and thinking on love, marriage highlights the human consciousness. Romance from Early Republic to the twenties and thirties of social romance, love, love turned to pure form by worldly love, reflecting changes in Yuanhu writers' cultural values. They reflect the traditional concept of marriage with emancipating individuality through. Whether it is the young men and women for love of freedom and self-desire and pursuit of marriage, children or parents attitude towards love and marriage are different from the traditional mode of writing romance novels. Their romance theme based on the ancient tradition of the romance novels have surpassed, on later literature as Fourth marriage novels, Eileen Chang's novels and romantic novels, such as Hong Kong and Taiwan have a positive impact. City Theme is one of the modern form Yuanhu novels. Yuanhu school development and Shanghai, Beijing, Tianjin, three closely related to the modern city, Yuanhu writers have become concerned with the earlier description of the modern urban landscape, urban writing to carry out the first generation of writers. They differ modern urban life experience in the form of text turned into expressions in different cities, reflects the contradictions Yuanhu literati, complex urban cultural psychology. This kinds of writing have enlightenment for writing contemporary urban novels.The second is the level of art. Unlike the new group novelist improved governance tool, Yuanhu faction advocated interest, stressed Entertaining novel function while not give up the pursuit of artistic aesthetic, the realization of tool to rescue the partial fill disadvantages. They transformed the literary tradition by learning performance skills of Western fiction, both novels preserve ancient traditions, there are some new changes. They first diary, epistolary novel, dialogue and body language alone introducing creative short stories, novels for long chapter rewritten to make it different from the traditional performance Zhanghui body of modern colors. Narrative patterns, Yuanhu school novels breakthrough omniscient narrative perspective, linear narrative, as the center of the structure to the plot and a happy ending, promoting vernacular languages, to achieve the transformation of modern fiction art. This successful or unsuccessful test reflects Yuanhu writers' modern consciousness and innovative ideas, but also for new writers to prepare the conditions for artistic revolution.Mandarin Duck and Butterfly School is based on tradition, learn foreign literature, with the development of the modern era has some new quality. Modern Chinese Literature in the historical process, which connects the late Qing literature and new literature, play a role in the transition and bridge, promoted by the classical Chinese novel to the modern transformation. It is an integral part of modern Chinese literature, and its modern development is the construction of modern Chinese literature should not be overlooked way. In the 20 th century Chinese literature, Yuanhu school novels never stop, it is in another form in the continuation of Hong Kong and Taiwan, and contemporary literature plays an underlying role. Some of the literary phenomenon(urban emotional drama hit, the film adaptation of the novel) or literary form(Internet novel, micro-fiction) can be found in literature and origin Yuanhu camp, and, Mandarin Duck and Butterfly School novels of modern development process gains and losses can also provide some reference and inspiration for contemporary literature.