Zhang Henshui’s Romantic Stories Transcend The School Of Mandarin Duck And Butterfly

In the history of Chinese modern literature, popular fiction has always been an important part of literature, and in the long list of popular novelists, "Zhang Henshui" is the name we can not ignore. In forty years of Zhang Henshui short writing career, he publishes more than 110 novels, total 30 million words, the number is other writers can not go beyond. But the research significance of the Zhang Henshui not only lies in the number of his creation, but on the way he is with the attitude of "reformers", to continuously exceed of the school of mandarin duck and butterfly.Early the school of mandarin duck and butterfly is deeply loved by readers, but because of its style is not high, low level of art, is the new literature called the "poisonous weeds", as "upstream". Zhang Henshui, which is also mainly written by love novels, can open up a new road, which will inject new vitality into Chinese popular novels. Based on Zhang Henshui’s early several famous romance novels, the paper discusses Zhang Henshui is how to transcend the school of mandarin duck and the butterfly. The paper can be divided into three parts totally, followed by:In the paper, the first part is the introduction. I introduce the research situation of Zhang Henshui romantic novels, illustrate the significance of topic selection, and define the related concepts.The second part is the main part of the thesis, which is divided into three chapters.The first chapter from the perspective of the traditional mode of romantic. Zhang Henshui transcends early the school of mandarin duck and butterfly on Caizi Jiaren novels, This part includes two aspects, one is the creation of a "social romance novels", the romance factor in novels has the social significance. Two is in the "Romance", reflects the transitional period of the times and the spirit of the modern times.The second chapter focuses on the inheritance and sublation of Zhang Henshui in the art form of Zhanghui novels. Zhang Henshui not only improves traditional Chinese novels antithetical couplets, poems and other forms also draws on many western creative skills, making the traditional art sends out a new vitality.The third chapter from the perspective of language, Zhang Henshui romance language is different from the school of mandarin duck and the butterfly. He changes half literary and half vernacular statements in the novel, the creation of Zhang Henshui not only conforms the habit of ordinary Chinese people, but also with distinctive Chinese characteristics.The last part is the conclusion of the thesis. This part is the summary of the full text, and summarizes the individual performance of Zhang Henshui transcends early the school of mandarin duck and butterfly and put forward the prospect and expectation to Zhang Henshui’s research.