Study On The Shihua Of Mandarin Duck And Butterfly School

For a long time,the literary identity of classical poets and poetry critics of the mandarin duck and butterfly school has been ambiguous.The academic research is obviously insufficient.In recent years,the collation and study of modern literary criticism has become a hot spot in the academic circle,and.their literary identity has been more comprehensively presented.Through literature review,this paper divides their poems into amorous shihua,female shihua,shihua that advocates song poems,funny shihua,and shihua with modern factors,and discusses them respectively,focusing on their poetical views,and combining them with poetry creation,in order to play a certain supporting role in literary theory research.The introduction is a review of the research,as well as the research value and research methods.The first chapter is the author of mandarin duck and butterfly school of poetry and literature overview.Most of the authors are the sponsors or main writers of modern newspapers.By combing their experiences in the newspaper industry,the author can summarize the general scope of the literature and art front of the mandarin duck and butterfly school.The prosperity of shihua is closely related to the ideological trend of modern Chinese nationalism.The second chapter is the poetics of Song dynasty poetry.The concept of the mandarin duck and butterfly school of poetry towards the Song dynasty poetry is very tolerant,they admit that the Song dynasty and the Tang dynasty have a clear poetic context,Song poetry is a breakthrough of the Tang poetry.In the face of the Tang and Song poetry disputes,they abandoned the political revolution disputes,returned to the analysis of poetics,.and in three aspects with the enemy.Combined with the specific poetry creation,the focus of the analysis of Yao Yuanchu and Wen Yehe poetical tendency,Yao Yuanchu admired Zheng Xiaoxu,the idea of poetry should have meaning;And Wen Yehe admire Chen Sanli,pay attention to the writing rules of poetry.The third chapter is the romanticism of amorous and female shihua.As the landmark works,the collection of Xianglian Poetry and Yiyu poetry by wang Cihui in the Ming dynasty were re-examined in the late Qing dynasty and early republic of China,which set trend of imitation writing and profoundly influenced the poetical tendencies of Chen Dixian and Zhou Shoujuan.At the same time,the development of women's poetry reached its peak in the Qing dynasty.There were a large number of women's poetry works in the poem,which had a clear sense of preserving poetry and characters' poetic history,and had a sad meaning for women's lives.The paper also focuses on the poetry criticism of Chen Dixian and the story criticism of Zhou Shoujuan.The fourth chapter is the funny poetics advocating the secular and interesting.These shihua show that the elegant culture and the vulgar culture are finding a new balance.It's a literary reflection.The funny shihua that are not in accordance with the classical tradition,which is closely related to the changes of modern recreational life and the development of leisure newspapers.The poem takes cultural and secular societies as the main writing space,and the traditional intellectuals,new intellectuals and ordinary people as the main objects.Xu Zhenya's shihua recorded the ghost of the poem,more special.The fifth chapter is a poem with modernity.The poem introduces to the Chinese people the poetry from all over the world,embodies the obvious world characteristic,has expanded the Chinese poetics vision.Research in this area is dominated by Su Manshu and Hu Huaichen.In the early stage of the development of modern poetry,Hu Huaichen has already had many relevant critical practice and theoretical thinking,which makes the poetic words have the new characteristics of modernity and classicism.The conclusion of the paper is the literary history significance of the mandarin duck and butterfly school' shihua.It is one of the last main force of Chinese traditional poetics criticism,and also the closing one.