Study On The Criticism Category Of Fu

Study on the Criticism category of Fu,In contrast with poetics and lyrics,is relatively weak.This article try to from a few influential fu category,to comb the Criticism category of Fu.The first chapter discuss the the theory of Liu YI on The book of odes.As a poetic category,how can the theory of Liu YI enter the realm of fu,and what effect it results,this kind of problem in the scope.The first section discuss the logic rationality of the theory of Liu YI‘s entering Criticism category of Fu.I think the logical starting point of it is the logic ambiguity of the term Fu.Through such logical analysis,we want to reveal a phenomenon in Chinese literary theory,especially the fu theory,that the practical significance in the criticism of fu is greater than the academic significance,usually inherit to the conceptual rather than argument,usually focuses on the logic of art itself rather than the logic of argument.In the second quarter,we discuss the process of Feng,Ya and Song’s entering Criticism category of Fu.In content,Ya and Song pay more attention in praising,while Feng pays in admonition;In style,Ya and Song advocate positive and greatness,while Feng prefers tender and softness;On the rhetoric,Ya and Song possess more description,while Feng has more Bi and Xing.From the diachronic perspective,Feng changes more frquently,whle Ya and Song is more stable,which is accompanied by the central power and the spirit of ritual.The third section discusses the rhetoric Bi and Xing.In the field of Fu,the theory of Bi and Xing,from Han dynasty to the Ming and qing,is not the core issue but the key problem.In Han dynasty,the theory of Bi and Xing is about remonstration,In Wei and Jin dynasty,it refers to superposition,In Tang and Song,it mainly discusses rule of rhetoric,and in Yuan to Qing,it cares about the disadvantage of deliberately running.The fourth section discusses the background of the study on The book of odes.The second chapter discuss the theory of remonstration of Si Maqian.Si Maqian thought Sima Xiangru fu were about Fengjian rather than remonstration which later generations thought.Fengjian is more about transmissing messages,that nothing to do with the connotation of the euphemism.And the change from Fengjian to remonstration,reflected the Han Fu criticism from the content and purpose of remonstration to its techniques and effects.The second section discusses the correlation between Han FU and Bao FU.Fu Bao system is the emperor’s secretary system which rising from Zhou dynasty.In the existing literature and materials,there are many discourse on Fu Bao’s persuading the emperor.If we compare them with Han Fu,we will find that they have a lot in common.The third section discusses the connection between Quanbaifengyi and the era of the early Han dynasty culture,so that to prove that it is not the unique writing style of Han Fu.The third chapter discuss the melody and Lize of Han Fu.The first section discusses the melody of Han Fu.Liu Xizai said,“Fu has quit a lot of rhetoric feelings,but few feeling of musicality",however,it inherited chu SAO and Ancient Poetry so that should not be isolated from the field of musicality.Liu Xie acclaimed that articles included three ways:rhetorical,musicality and affectivity.This article try to restore the rhythmic beauty of Han Fu,through to the analysis of the text,to prove that the musicality is extremely important a part of Han Fu.The sencond section discusses the Wang Shizhen’s reform in Lize.Wang shizhen changed Yang xiong’s statement" Fu in the Book of Odes are beautiful and orthodox " as "Fu in the Book of Odes are elegant and orthodox ",which didn’t get enough attention since the Ming dynasty.Actually this seemingly casual changes,represents wang shizhen and Yang xiong very different view of Fu,also reflects the mid-Ming dynasty a retro movement in the field of Fu.And based on the academic connotation of "Dian",we can know more clearly the nature of the retro movement:on the one hand is the classical spirit of contemporary Confucianism frivolous decay style of feedback,on the one hand,is an extension of the spirit of government bureaucracy in the literary world.And in the field of Fu,the crisscross of "Dian" and "Li" has a clear evolution course,reflects the balance of two kinds of cultural spirit and fight.The fourth chapter discuss the migration of the format of Fu in Tang dynasty to Song dynasty.The format of Fu in Tang dynasty Set up a model for the article study in Song in many ways.The first section discusses it’s instructive significance to Song’s article study in the aspect of Identifing the topic,the art of composition,the way of starting,format,syntactic and theory of allusions.In the second quarter,we try to clarify the transition of the format of Fu to Song’s article study.We first discuss the Song dynasty’s Ce and Lun writing is the imitation of the format of Fu in Tang dynasty.Secondly we discuss how the articles meaning of format of Fu precipitate and combine with the spirit of ancient prose movement.The fifth chapter discusses the category TIWU.The common academic understanding of TIWU of Fu focused on the skills,and mostly on the category object as well.However,in fact,not only the concept but creative practice of TIWU,have experienced great changes from Han to Tang dynasty.From the Tang Dynasty,Fu examination in imperial examinations stimulated new changes in TIWU in Fu area.