Study On The Sino-Tibetan Combination Architecture Of The Gelu School Hall In Inner Mongolia

Since the Mongolian military occupation of Tibet,"theocracy" has become the political ideal of the Mongolian ruling class,which is hidden in the genes of the Mongolian people.As the carrier of Tibetan Buddhism culture,temple architecture has become the most important architectural cultural landscape after the emergence of urban civilization of the Mongolian people.The integration of Chinese and Tibetan architectural culture is an important feature of Tibetan Buddhist architecture in Inner Mongolia,with a very rich architectural types,and it is difficult to have a unified and clear explanation framework for the model of "combination of Chinese and Tibetan".In the late Ming and early Qing dynasties,Tibetan Buddhism was introduced into Inner Mongolia again,and in the process of taking root and growing,the collision and integration of the architectural cultures of Han and Tibetan nationalities were completed.Because the dissimilation of the background of the Mongolian and Tibetan alliance,the temple architectural shape also subsequently evolved,formed the Inner Mongolia region combination characteristic of the sino-tibetan sect by the temple architecture-"three longitudinal dian",has been widely used in the central region of Inner Mongolia,even become the official style,this study focused on the types,analysis of its culture,construct the cause."Three longitudinal temple" the temple architecture is the product of the integration strategy,the qing government culture is "sakya legacy type" to "the gelug sect of three"transition stage of architectural form,with "social aspects as construction background,material structure,logic and using logical connotation level-architectural culture" such a logical evolution as the basic thread of the research model,by inside and outside,layer upon layer,were situated in a thorough,ensure that the thinking of scientific research.The research cites architectural typology,cultural geography,environmental behavior and other theories,and uses research methods such as literature research,field investigation,deduction and induction to ensure the rigorous logic of the research.The author has established a complete archive of architectural information for the 24 sutra buildings of the 14 temples studied in this paper,in order to study the interactive relationship between history,construction,religion and architectural carrier,and to interpret the internal mechanism of the emergence,development and evolution of the "Longitudinal Three Dians" sutra buildings.It is found that the process of the combination of Chinese and Tibetan architectural cultures is not accomplished overnight,but a dynamic process from the outside to the inside,from simple to complex,and from single acquisition to integration.Secondly,the construction logic and use logic of the "Longitudinal Three Dians" Jingdian architecture are not unified.The evolution of architectural form is a process of gradually solving the contradiction between the construction logic and use logic,which is the embodiment of the transitional cultural form.Finally,the Jingdian architecture in Inner Mongolia has three functions:it is not only the religious architecture,but also the political architecture and the educational architecture.The architectural form of Jingdian architecture and the combination mode of Han and Tibetan architecture are different due to their particular functions.Therefore,this study has theoretical and practical significance,providing important clues for the comprehensive construction of architectural culture and history and theoretical research,providing material preparation for subsequent in-depth research and value evaluation,and providing theoretical guidance for architectural heritage protection and secondary development.