A Study On The Characteristics Of The Color Paintings Of The Tibetan Buddhist Temples Built In Beijing In The Qing Dynasty

Religion and politics have always been inseparable.Religion plays an important role in promoting national integration.In the Qing Dynasty,Tibetan Buddhism was regarded as a special means of governance applied to political life,as the ruling order and mode of the ruling class.Religion also developed unprecedentedly under the protection of the rulers.In Qing Dynasty,the Gelug Sect of Tibetan Buddhism became the largest sect under the social conditions at that time,and built temples in Beijing to spread Tibetan Buddhism culture.As a special architectural form,the construction of Tibetan Buddhist temples in the Qing Dynasty is different from the general Buddhist temples.One is the construction of Tibetan Buddhist temples,so it uses a lot of decorative styles of Tibetan Buddhist culture.The other is that the higher level of royal architecture represents the Royal momentum.Therefore,in the temple architectural color paintings,many details are decorated with royal elements.In this paper,from the perspective of history,society,architecture,culture and other disciplines,we put the research on the architectural color painting of building Tibetan Buddhist temples in Beijing in Qing Dynasty into the background of the times and the social environment.Taking the architectural color painting of Fuyou temple as an example,we explore the influence of the introduction of Tibetan Buddhist culture on the composition,layout,pattern and color matching of architectural color painting,and strive for the influence of components on the architectural color painting of Fuyou temple Through in-depth study and comparative analysis,we can show the characteristics of the existing architectural color paintings of Fuyou temple,and study the general characteristics and subtle differences contained in the buildings of the temple in detail.Finally,it summarizes the aesthetic and cultural value of the color paintings in the construction of Tibetan Buddhist temples in the Qing Dynasty,as well as the prospect of making the past serve the present.In recent years,the focus on architectural heritage continues to rise.In the context of the research on the protection and utilization of architectural heritage,in-depth study on the remains of architectural color paintings of Fuyou temple is expected to improve the research gap in the construction of Tibetan Buddhist temples in the Qing Dynasty,and provide basic information for the future research records and conservation and repair of ancient architectural color paintings.The research framework of this paper is divided into four parts.First,define the research object(Chapter 1),summarize the research background,purpose,significance,research content and research methods of the color paintings of the Tibetan Buddhist temples built in Beijing in Qing Dynasty;second,analyze the background research(Chapter 2),sort out the development context of the Tibetan Buddhism in Beijing in Qing Dynasty,study the social background and policy support,and make statistics of the distribution of the Tibetan Buddhist temples and the existing Tibetan temples built in Beijing in Qing Dynasty Chuanfo temple,to study theinfluence of the input of Tibetan Buddhism culture in Beijing in Qing Dynasty on the society and the color painting of architecture,take Fuyou temple as an example to study the color painting form of the existing architecture;then,to carry out characteristic research(Chapter 3,4,5),to study the composition layout,pattern,color matching characteristics of the color painting of the Tibetan Buddhist temple built in Beijing in Qing Dynasty,to analyze the Tibetan Buddhism culture and the royal architecture The influence of these two factors on the architectural color painting of Fuyou temple;the last part is the summary and promotion(Chapter 6),it summarizes the aesthetic and cultural value of the architectural color painting of the Tibetan Buddhist temple built in Beijing in the Qing Dynasty,as well as its future for the present.