On The Formation Of Long And Short Sentences In CI

There are three levels in the form of "long and short sentences" in CI: The first is that although there are regular and orderly,the words of CI present long and short sentences in general.It is in the level of "body shape".The second is that the length of the different tune of words is different.It is the level of "tone shape".The third is the difference in length between the same tune of words.It is the level of "lyric shape".Songs are not in the same tune,and the length of the songs cannot be forced to be consistent.This article mainly studies the reasons for the formation of the "long and short sentences" at the level of "body shape" and "lyric shape".The key to the formation of the morphological "long and short sentences" of CI lies in "long and short sentences with the phrase",the length of short and long with the phrase,and as sentences with the phrase.The formation of "sentences" is closely related to the "phrase" in traditional Chinese songs.The units of Chinese man-made music phrase were developing from large to small.The man-made music rhythm unit developed from the pre Qin music chapters and movements to the Tang Dynasty phrases."Sentence" refers to "junpai",which is located at the stop of the horizontal pitch sequence(high pitch line)in the music,forming a musical structural unit "sentence",which can be written into sentences or sentence groups at the level of words according to junpai.This is also the key connotation of "qidiao" and "biqu" in Song Dynasty.Because of its function of stopping music,there is a saying of "Qi Yue"."One sentence as one solution" was not the mainstream in the northern and Southern Dynasties.It was the emergence of Juji junpai,which was popular in accordance with the regulation of music festivals.It was also because junpai had the function of harmonizing music that it was able to achieve a definite sentence(or sentence group).In contrast with the man-made big shot in Tang and Song Dynasties,the small beats in the rhythm of song and music began to develop from natural small beats to artificial ones.Take a small picture or form a sentence or form a phrase.The main stream of Tang and Song Dynasties is the small beat,but the man-made group beat also evolved gradually on the basis of it,which is the precursor of the north and South Song Music mainly taking the group rhythm as the main omen.There are still drums in Song Dynasty folk music that participate in festival music together with clapboard.Drum helps clapping to control music represents the new change of the control music mode,forming drum board music,which belongs to the drum board music system.Making money in clapping is making money in clapping.The beat of the beat of the drum in the Southern Song Dynasty has not formed a certain rule,which is the rudiment of the later generation of the banyan control music method.There are three preconditions for the formation of the different features of the "Ti Xing" lyrics: first,the length of the lyrics depends on the sound of the music;second,the melody of the folk music varies in general;third,the overall matching rate of the lyrics and the sound is one word one sound.All of the above are related to music.In terms of lyrics,the creation mode of ancient songs has developed from "making music based on lyrics" to "choosing lyrics to accommodate music","making songs based on music" and then to "making music based on music",and the status of music has gradually improved.When it comes to "making music according to the words",there is no need to change the words.When it comes to "making music according to the words",the general processing method of musicians is to enrich individual words,reduce words,mix irrelevant words,overlap words and change word order.No matter whether the words need to be changed or not,the three modes all need to create sighs to match the music.Sighs mainly include empty voice,man voice,reduplicated voice and harmony.In the stage of "the music decides the diction",the sigh is gradually filled with diction.The theory that "long and short sentences are formed according to the Pai Dan Yin" is misunderstood by the people of Song Dynasty.It is helpful for us to understand the formation of "long and short sentences" in Tang and Song dynasties.There are two aspects in the formation of different length of Songs: one is the formation of "sentence pattern difference" in the same tune songs,and the other is the formation of "word number difference" in the same tune songs.The formation of "sentence pattern difference" mainly involves two factors: one is that the small beat can be transformed into the word beat,and the word beat can be transformed into the sentence beat;the other is that the people of the Tang and Song Dynasties only set the beat to a certain sound of a word,rather than the exact location before or after the sound of the word,because the beat before and after the pause is not certain,which is the uneven performance of the small beat relative to the big beat.The former is the traditional Chinese festival music method,and the latter is the new festival music method in the Northern Song Dynasty.These two festival music methods still exist in the songs since the Yuan Dynasty.There are two main reasons for the formation of "the different number of words" : one is that when the words are full of sound,they add words to fill the meaning;the other is that when the words are few,they add sighs to fill the tune.The interlinked words show the evolution of Ci poetry as to Ci poetry,and the added sigh when the words are less than the music remains the trace of the evolution of songs as to Ci poetry.