A Study On The Cultural Representation Of The Landscaping Of Royal Buddhist Temple Gardens In Qing Dynasty

The Landscaping of the Royal Buddhist Temple Gardens in the Qing Dynasty were dominated by the gardens of the Royal Buddhist Temples and Temples landscape inside the garden and Buddhist Garden Architectures and the Royal Buddhist Eight Scenes.The time and space range of the study is the "Zhi li Province" of the four emperors of the Qing Dynasty.The research on the cultural representation of the Landscaping of royal Buddhist temples in the Qing Dynasty is based on the historical research of ancient Chinese royal gardens,temple gardens and religious scenic spots.This research uses semiotics,linguistics,hermeneutics and other disciplines and theoretical methods.Based on the historical research of landscape architecture,this research focuses on the theoretical research of the "meaning-symbol" of structuralist representations in cultural studies.In this study,the three major semiotic systems of grammar,semantics,and pragmatics are related to the “scenery element-scenery element clusterlandscape style” landscaping layering,and a single meaning context is integrated to form the representation mechanism of the meaning of landscape architecture.This study took the construction of the Landscaping of the royal Buddhist temple gardens in the Qing Dynasty as the empirical object and formed the coding interpretation methods and symbolic representation models of the landscape architecture meanings in the Qing Dynasty.First,this research preliminarily constructed the symbolic representation mechanism and meaning interpretation model of the meaning of landscape architecture.This research starts from cultural representation,semiotics,linguistics,and other theoretical methods,combs the classification of landscape architecture operating genes under the cultural gene theory.This research attempts to construct and analyze the significance of landscape architecture based on the excellent cultural genes of the Chinese nation,combined with the trinity interpretation model of the landscape architecture cultural code system.This research combines landscape architecture design with the three major semiotic systems to form the meaning interpretation model of the landscape architecture semiotic system and the meaning symbol representation mechanism of the "level coding-context integration" of landscape architecture.This research clarifies basic issues such as the generation logic,connotation model,and logical characteristics of the symbolic representation mechanism of the meaning of landscape architecture.Secondly,based on the symbolic coding representation mechanism of the meaning of landscape gardens,this research discusses the meaning representation content of the royal Buddhist temple gardens in the Qing Dynasty.This research has combed the research context of the modern and contemporary Buddhist gardens at home and abroad and the landscapes of the Royal Buddhist temple gardens in the Qing Dynasty.This research has determined the five cultural genes generated by the Royal Buddhist temple landscapes in the Qing Dynasty from the perspective of the combination of politics and religious culture.This research clarifies the classification criteria of landscape meaning based on core pragmatic expressions.This study identified three major representations of the Qing Dynasty imperial temple gardens,which were the representation of "Buddha sanctuary meaning" led by the religious view,"the meaning of the unity of nature and man" led by the natural view,and the "imperial power and legal system significance" led by the power view.This research also synthesizes the core category of "imperial power supremacy" in the context of the three meanings of religion,nature and power.This research clarifies the logic of meaning coding representation of the royal Buddhist temple gardens in the Qing Dynasty under the representation mechanism of landscape architecture.Finally,this research discusses the representational characteristics of the Qing Dynasty royal Buddhist temple landscape design based on the representation mechanism of the meaning of landscape architecture.Based on the establishment of the representation mechanism of landscape architecture,this research uses semiotics,linguistics,typology,and other disciplines to analyze the site selection,layout,elements,space,form,scale,and technical construction techniques of the royal Buddhist temple landscape cases in the Qing Dynasty.This research analyzes the symbolic grammar system and cultural code system of the landscape design of royal Buddhist temples in the Qing Dynasty.This research summarizes the analysis characteristics of the landscape design of the Royal Buddhist Temple in the Qing Dynasty in the grammatical layer of landscape elements,the semantic layer of landscape style,and the pragmatic layer of context.This research clarifies the three styles of "Shen Sheng Gui Fan Xing","Yin Yang He He Xing",and "Zheng Ti Zhi Xu Xing" produced by the design.Based on design analysis,this study clarified that the four logical characteristics of the operation of the representation mechanism were in the landscape of the Royal Buddhist Temple in the Qing Dynasty.