| Beauty of Neutralization and Harmony, embodying the existing experience of all the tribes, is a fundamental aesthetic form in ancient China. So, to study Neutralization and Harmony is necessary to depend on the more fundamental concept. Firstly, this article based on pre-Qin's think source wants to demonstrate a illumination in the study of aesthetic by describing the use of the space-time in aesthetic, analyzing the boundary condition of human existence, arranging the transcendental regulation of aesthetic given by space-time. Secondly, making a further study of space-time condition of Confucius' Neutralization and Harmony. (1)Time condition: during Confucius' time the time had not been quantified, daily life's rhythm was not lively but slowly and the content of life was far small compared by the time in which the work power was quite developed; time cannot be separated from the meaning that the time hold, and, the individual always absorbed in the experience of state of free time. (2)Space condition: Confucius regarded the world as an integrate space that had no difference. So, Confucius' Neutralization and Harmony had some new meaning and new way to attain. Although Confucius had still affirmed that there was some difference between Yi and Han, he emphasized the place was no more rudeness if a superior man dwelled in and thus the whole society was based on the harmony of the soul and character. As to Confucius, the harmony was not the politic powers' balance among all the states, but was constructed by the good and filial which from the humanity. Lastly, this article analyzes the time-space meaning of the superior man through discourse and action, and we hold that Confucius concreted discourse by act under the reality time-space. And to Confucius' studying shi, this article mainly analyzes three characters of Confucius' flight of idea, and points out that Confucius' studying shi had offered authority basis for the meaning of text.
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