On The Riverway Of History

Landscape poetry is an important part of Chinese classical poetry , which broke off when classical poetry turned to modernization. Kong Fu is the first man who is trying to inhert the landscape poetry tradition. Kong Fu indited a lot of first-class modern landscape poetry and integrated poetics, which proved that Kong Fu not only inherted the Landscape poetry tradition but also sumounted the tradition. This thesis studied Kong Ku from the point view of history, which inclouds three part: consciousness of landscape, the taste of landscape and the building skill of artistic conception.This thesis comprised five parts.The introduction briefly introduced the background of Kong Fu's coming out and the conception of this thesis.The first section explored Kong Fu's inhertion and sumount about consciousness of landscape. The traditional taste of landscape formed during Wei and Jin Dynasty and matured in Tang Dynasty by the influence of Taosim and Buddism, which made person forget his being and turn into subconscious, thereby becoming the integration of heaven and man. Kong Fu's poetry also embodied that character, but his philosophy base was modern comism, which the whole being in the univers all have mooding ,mind and wisdom, just as human being, so when subject recepts object, subject is object and they will unify as one body.The second section explored Kong Fu's inhertion and sumount about the taste of landscape. The classical poets recept the landscape from an object standpoint. Kong Fu's viewpoint differ form the classical. He thought subject should recept the landscape using his soul, because landscape have their soul. According this point, Kong Fu's landscape poetry is individual, which very different from the classical landscape poetry.The third section explored Kong Fu's inhertion and sumount about the building skill of artistic conception. Connotation is the character of the classical landscape poetry .The classical poets always built the connotation artistic conception. By integration of real and unreal. Kong Fu's landscape poetry is more connotation, and builds artistic conception by mysterious imago and he sparkplugs to compress the language of poetry.The conclusion summarized the apocalypse given by Kong Fu to Chinese modem pamassus.