| Since the Chinese Swordplay Film was born, it was keeping the particular character, its more than 80 years developing course poured vitality into the soul of the traditional Chinese Swordplay culture, and brought marvellous image and the enjoyment of spirit to Chinese actors and audiences time after time. The Swordplay Film has become a kind of film that was the earliest and the most mature film in Chinese Film history. It took the more possible for language expression in Chinese Film, even the whole world. However, any kind film has its inner regular pattern which always renewing and developing as time goes on. Even to this day, the Swordplay Film obtained the most Chinese national character, there's great development of its form of inner and outer and the audiences' mentality etc., but all this reflected that the thinking pattern of the Chinese Swordplay Film has transferred from affective to rational.By studying the pattern of creative thinking of the Swordplay Film, we can draw a conclusion of history, above all, it benefit for us to know which way will be ran by the Swordplay Film. For these reasons, the paper tried to generalize a development way of the thinking pattern of the Swordplay Film, which were based on the creative thinking of the Swordplay Film in different periods and the development of audiences'mentality. According to the separable way of the Swordplay Film and the content of the paper, the paper is made up of four parts as follows:I. From the 1920's to the 1940's,early stage,created the thinking pattern of the Swordplay FilmAs the first development doom of the Swordplay Film, the foundation Swordplay epic was created in this period, which was the result of combining the traditional narration Swordplay with the film expression. It had the preliminary display of trick shot and established the development pattern of the Swordplay Film. Because the Sword Film was beginning at that time,the creative thinking was more affective, "burning hongliami" was the representative work in this period as the first and the most effective Swordplay Film in China.II. From the 1950's to the 1970's, middle stage, inherited and renewed the thinking pattern of the Swordplay FilmThis period was made up of two parts as follows: a. During the 1950's, inherited Guangdong language Swordplay FilmGuangdong language Swordplay Film gave great impetus to HongKong Swordplay Film, which had the special cultural background of times. But, it's contribution for the creation of Film that was not as good as its high position.Although it had some new action, it also remained in the affective step. The representative work was "huangfeihong".b. From the middle of the 1960's to the end of the 1970's, the thinking pattern of the S wordplay Film was beginning to divideZhang Che, Hu Jinquan and so on had great contribution for the creative thinking of the Swordplay Film and pushed it forward the period of "the classical Swordplay Century", it was also called "Golden Times" of the Swordplay Film. Li Xiaolong with himself Chinese GongFu created another way for the Swordplay Film-Chinese GongFu Film. As an actor, his four and a half film in all his life pushed the Swordplay Film forward the peak of this new form. The creative thinking of the Swordplay Film had more new trails in his period and made a big progress, which was provided the experience for the development of the Swordplay Film.III. From the beginning of the 1980'st to the end of the 1990's,modern times, analysed and transferred the traditional thinking pattern of the Swordplay FilmIn the beginning of the 1980's,the mainland of China set off a vigorous mass campaign for the creation of the Swordplay Film, and it became another vital new force on the development of the Swordplay Film. "The Shaolin Temple" was the representative work in this period. In the 1990's, the creative thinking made the progress again, the success of "The Swordsman in Double-Flag Town " was provided the explanation for it. But, Xu Ke as the representative of HongKong, th...
|
PDF Full Text Request