Lyric Pieces Of Grieg Piano In Exploring National Identity And Performance

Norwegian composer Edward. Grieg (Edward Grieg, 1843—1907) is a Norwegian national music school's founder, is also half of the nineteenth century European folk music school in one of the most accomplished composers. He is committed to study folk music, through a celebration of national history, nature and folk life of the mother's artistic experience, to create a Norwegian national characteristics and strong local flavor of the music. Grieg from 1867 to 1901 that were published between the piano solo "lyrical essay collection" to the form of diary, recorded 30 years of the saw, heard and many of life perception. Grieg Lyric Pieces in his piano in the melody, harmony, tone and tone of a novel done in areas such as exploration and experiment, fully embodies the creative concept of the folk music and the typical characteristics of Norwegian folk music highlights shown. This article from the "Lyric Pieces Grieg Piano Collection" spectrum of patients starting with works by Grieg creative background, music genre and the form structure analysis of the characteristics of music, playing the piano with the analysis and the Lyric Pieces of Grieg etc, to melody, rhythm, harmony, tone tune of use, style, features, performance techniques to explore some aspects of perspective and analysis, combined with the author of the play experience, through the life of Grieg Lyric Pieces for Piano with Creative, focused on understanding and learning of their performance skills, and learning to the 19th century, Scandinavian folk music camp, music style, performance skills, and on the twentieth century innovation and contribution to music.This paper is divided into three parts. First part of the Lyric Pieces Grieg Piano creative background. Grieg's life by analyzing the background, life experiences and nationalist ideological formation and development process, and the same period composer and nationalist thinkers on it. That works with national feature Minggeleige the formation and characteristicsThe second part of Lyric Pieces Grieg Piano music ontology analysis, focus through the analysis of melody, rhythm, tone tonality, harmony in the national character factors to explain the Grieg Piano lyrics by national ideas and the typical music Norwegian folk music features.The third part, Grieg Piano lyrics by national feature of playing and teaching in the second creation of the embodiment. I played through their practice, combined with spectral cases, the Grieg Piano lyrics by some of the specific works of the second creation. Divided from the phrase, tempo and intensity of grasp, touch keys and sounds, pedal interpretation of the aspects of the use of Grieg Lyric Pieces Piano made a summary.