Northern And Southern Dynasties Tomb Portraits Research

This paper is concerned with object about the Portrait painting of Northen and Southen dynasties tomb murals. Because of the war and the Regime independent. The difference of every nationality and region make the tomb murals development have many different situations. The tomb murals have kinds of styles. The text according the disposition and height clause divide into four zones:northest area, northwest area, Central plains area. The tomb murals in northest area and northwest area. When it's in the sixteenth northen and southen dynasties, As the result of the war and funerals systerms by the dominator make the tomb murals appear the discon-tinuity of supply or production situation, the state political power in northest area and northwest area is very stable and haven't a serious influence by the war. The tomb murals in Han nationality have a good continued development. The curtain patterns in northwest area inherit the profile patterns in Han nationality. In northeast, Lukewarm, the curtain profile depend in the profile has develop the frontage daimyo oak in sixteenth period. The new portrait sense and pattern clue in sixteenth period that is different from it in Han nationality. The tomb murals in northwest and northest areas dynasties trend to decline, but the tomb murals in Central Plains and North areas have a good development, and the tomb murals level in Central plains is higher than the tomb murals level in North area. The tomb curtain profile continues the style of frontage oak. The characters is more portrait engrave and paint is more lively. It's in keeping with the basic demands of pregnancy. Pass through the development in Northen and Southen dynasties, It has from completely new tomb curtain profile style and features finally. The tomb profile style and features finally.The tomb profile achieves the magnificent changes by itself.