An Analysis Of The Boneless Painting Method Of The Fresco Tomb In Yanshi-Xin Village

This paper makes an in-depth discussion on The Han Dynasty tomb murals and boneless painting method,and makes a "blanket" analysis on the tomb murals in Yanshi-Xin village,LuoYang,in an attempt to explain that boneless painting method plays an important role in the tomb murals.Now the scholars generally consider Zhang Sengyou as the originator of boneless painting.However,there was a gap of 500 years between his time and The Xinmang period,and his embossed flowers were influenced by the paintings in the western regions.Compared with Zhang Sengyou's boneless paintings,the application of boneless paintings in tomb murals in the han dynasty is much earlier than that in Zhang Sengyou's paintings.There must be a connection between The Han Dynasty tomb murals and Zhang Sengyou's embossed flowers.However,due to history and wars,there is no painting left,so we can only speculate based on the existing murals.In this paper,The Han Dynasty tomb murals of the archaeological material,cultural background and information techniques for expansion,and no bone of origin,characteristics and forms in detail,based on this,in this paper,the Yanshi-xin village tomb murals in the targeted image analysis,have no bone in picture in figure painting has carried on the detailed description and explanation.This does not make us dig deep into the artistic value of the han dynasty tomb murals and make them an important artistic resource for contemporary painting creation.At the same time,we re-understand the expression technique of boneless painting,which has more realistic significance and reference value in the current practice of Chinese painting.