| Many of audience at home and abroad are attracted by the national spirit of unyielding,advocating the humanism of chivalrous help,the rich heritage of Chinese traditional cultural in the numerous film genre.The development of martial arts movie can not leave the filmmaker who work hard and explore generation by generation.Throughout the history of Kung fu movies,there is one people’s merit that is special.Not only because he inherited the previous martial arts movie’s traditional story mode that include vengeance,snatch,seek hegemony and so on.But also breaked through and innovated it.He taked new age thinking and modern technology into his masterwork,teached through lively activities,interpreted the internal-spirit of the Chinese martial arts.This man is Tsui Hark.In all of the martial arts films that Tsui Hark participated in,who acted as supervisor,director or screenwriter,are full filled tick color of Tsui Hark.And there is always a few of women impress you deeply in every Tsui Hark’s martial arts movies.They are downright chipper,or tender and soft as water,or dignified and elegant,or decisive and knightly…Their heroic spirit is not inferior to the men in jianghu.And boudoir’s tenderness is not superior to them.Therefore,the existence of the characters more perfectly interpreted alternate kindness with severity in the martial arts world,and the real sentiments in sons of earth’s heart.It was the female character that support the half of the Tsui Hark’s martial arts movie world.This article starts from these callipygaes in thousands of postures who is created in Tsui Hark’s martial arts movie,and analyses detailedly Tsui Hark’s understanding for traditional emprise films,and modern innovation,so that we can understand these new martial arts films better from the Tsui Hark’s lens.The full text is divided into three parts, five chapters. The first part is the first chapter of this article, this part mainly defines tsui hark martial arts film, and overview the female images in the martial arts movie, try to find out the women’s unique charm in the chivalrous-swordsman films. The second part is this article’s chapter2, chapter 3 and chapter 4, this is the main part of the article, mainly from the perspective of the female image, analyze the culture connotation and charm of tsui hark martial arts film. The second chapter from tsui hark tsui hark to the inheritance of Chinese native culture to martial arts films of chivalry spirit; Third chapter from tsui hark the sublation of the classics of the reengineering and the traditional chivalrous to see tsui hark the martial arts movie creation charm; The fourth chapter is from the collision of western culture and the relationship of balance to elaborate the cultural connotation of tsui hark martial arts films. The third part of the thesis is the final chapter of this article, this part of the main features to make a summary of tsui hark martial arts film, interpret the humanized andmodernization of martial arts films, show a new world under the lens of tsui. |
