A Study On The Image Representation Of National Memory

The Anti-Japanese War has become the national memory we can’t forget for a long time. The final victory of the Anti-Japanese War With the power of the country for eight years that affects the lives of hundreds of millions of Chinese people, is an important and indispensable page to the history of China in the 20 th century. The reflection of history for the Anti-Japanese War starts in the process of the war of resistance, and after the war, the Anti-Japanese War historical memories, depict,interpretation, research, can’t stop for politicians, historian, writer and artist, as well as good by thousands of tens of thousands of ordinary people through war. They at different times, from different angles and in different position, make a different interpretation of history, which constitutes the vast, spectacular, rich polyhedral anti-Japanese war historiography continue up to now, and become an important part of the 20 th century Chinese historical memory. The disaster of history, often create art of immortality. Memorial type national tragedy affects China’s film and television and video deeply. Depicting the war of resistance image creation, with its intuitive, image,sensibility, vivid characteristics, plays a unique role in memory when present the Chinese people memory for Anti-Japanese War history.Taking the movie and television play of the war of resistance against Japan as an example, this paper aims to study image how to render the national memory, image rendering implications for value of our collective memory of the war of resistance and the influence on China’s development. This paper discusses them through four parts. Firstly, it interprets the expression of national memory from the basis of the understanding of nationalism and national spirit connotation and extension. Secondly,from the images depicting the Anti-Japanese War, different image narrative Angle of view, change of the characters and the expression of audio-visual language to specific image how to present national memory is discussed, and analyzed some representative works of image. Then it discusses the value of national memory andthinking on the cinematic representations. In terms of value, the significance of the ethnic memory in image rendering text rendering more literature value and can make the abstract national memory "visual representation" representational in front of the audience. But now in the Anti-Japanese War the serious historical themes of image creation, there are also worth thinking about the drawbacks of the phenomenon. For image rendering of the war of resistance against Japan, we should have a correct value orientation, and this is our common historical memory of the Chinese nation.We should present history, reduction of the real objective history, sets up the correct values and multi-angle reflection on the history of the war, pay close attention to human nature. Finally, presenting national memory to enhance China’s cultural soft power, and realizing the cultural Renaissance of the Chinese nation has an important and far-reaching influence.The Anti-Japanese War is a war which the whole nation rise to resist foreign aggression. In the face of the grave national crisis, the Chinese people have a strong national sense of responsibility, regardless of north and south, people young and old,to resist foreign aggression became our common will, and to save the nation in peril become our common responsibility. This critical time in our history about the war of resistance against Japanese aggression, the Chinese people are united as one and fully show strength of national spirit. The great victory of the Anti-Japanese War promotes the national awakening, awakens the consciousness of saving the nation from subjugation of the Chinese nation, and formed the national will and firm faith defensing of the enemies. The great spirits enhance the national cohesion and promote the unprecedented national unity, and we should remember the common historical memory of the Chinese nation.