The Structure Of Thinking In Their Music. From Lutuo Slavic Chomsky Texture Sound

Witold Lutoslawski(1913-1994), is an outstanding Polish composer in the field of twenty century music. Due to his unique structural thinking and distinctive musical language, he stood out among numerous music schools in 1960s and became one of important composers receiving the attention from the international music circle in the second half of the 20th century. As a modern master of orchestral music, Lutoslawski adopted those novel and unique acoustics and texture to reflect the high quality aesthetic characteristics hidden in the acoustics of music. Therefore, the application and skilled grasp are always the important factors for the composer to obtain the abundant acoustics and tension movement. Accordingly, this paper analyzed and summarized the texture forms in Lutoslawski's music, especially the specific ones to establish his personal style. It studied the organization mode and application features, and discussed and summarized the performance and control of different musical elements in their texture respectively, and tried to comprehensively grasp it from the technical features and texture forms. Finally, according to the complete case analysis, it took the overall discussion on the structure of horizontal expansion and arrangement of timbre-texture in the work, and took the comprehensive discussion by referring to the creation techniques and structural thinking of the composer, in order to get the further understanding of the acoustics movement logic and the music development of his works.