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"female Self" To Find And Convert - On Female Poetics Of The 1980s Architecture

Posted on:2005-09-30Degree:MasterType:Thesis
Country:ChinaCandidate:R X ChenFull Text:PDF
GTID:2205360125461392Subject:Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
Contemporary Chinese feminine poetry fill an enormous blank, whilein which the eighty's feminine poetry holds a balance, historically, whichcarry on the past and open a way for future in feminine literature. Thispaper proceeded with feminine consciousness, appropriately selectedfeminist theory and poetry theory to analyzed the eighty's femininepoetry. The paper included three chapters. Chapter one deal withpoetess's works at the end of 70s and early 80s as natal sinfonia,discussed the natal background, analyzed effects such as "menglong"poetry's "manifesting ego" returning to hominine consciousness andthe connection with westward feminine literature. The body took femininepoetry from 1985 to 1989 as mostly research object, closely encircledseeking and converting to feminine ego. This article construed theprincipium building from four aspects. The noumenal characteristic isgender opposition, model proof is the naissance of dark consciousness,which is specific embodiment for female rouse to try for feminine rightand insist gender opposition. Second is body writing's strategy, whichconstrued from female experience and sex consciousness. Third isconfession's saying, which was discussed from poetess's loneliness andunconsciousness. The typical form is poems written in series lackinglogic and concealed or apparent dialog. The last aspect is "soaring"-aesthetic perspective, which surpassed realistic plight. Chapter 3sketchily described the significance localization further differentiation and influence for offspring poetess.
Keywords/Search Tags:feminine poetics, ego, feminine consciousness
PDF Full Text Request
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