On Chinese Painting Freehand Ink Exploration And Resarch

Chinese painting can show in the world of painting, in addition to its convergence of the king, white to black composition rules, another is through rich and colorful, treacherous changeable ink language expresses the unique picture effect. The text, is the Chinese painting techniques and theory terminology, can also be used as a Chinese painting techniques in general, single from the technique aspect," pen" refers to the outline, chapped point technique," ink" is broken, product, drying, dyeing and other ink method.This paper argues that the text mainly techniques and spiritual flavor in two dimensions, both already mutual connection, and is relatively independent of the. For text, image is the first text from images, belonging to the. Pen and ink is Chinese painting language, but also the lifeblood of Chinese freehand brushwork style. Whether the freehand brushwork of flowers and birds painting development history or Chinese painters painting practice process, but also reflects the importance of the pen and ink spirit. After painting on Chinese painting research, especially painting calligraphy, painting the ultimate realm is not excellent ink to show realistic modeling object, but with excellent text to describe agreeable subject spirit.This paper from the Chinese flower-bird painting, pen and ink is the development of Chinese painting freehand brushwork flower-and-bird painting pen and ink in the soul, the importance of the freehand brushwork of flowers and birds, by learning the experience in the process to discuss the words in the copy, sketch, creation of the four major aspects of a study, based on Chinese painting pen and ink spirit, emotional charm, charm and artistic methods of understanding analysis, think about how to create not a departure from the traditional and dare to try new ideas work.