A Study On Mount Tai Shadow Play In The Context Of City

Shadow Play is a non-material cultural protection in recentyears stands out in a wave of interesting cases, the officialrecognition and the alienation of local audience in sharp contrast. Onthe one hand, in2006, Tai’an City, Shandong Province, Mount TaiShadow Play as the elected representatives of the art of shadowpuppetry first batch of national intangible cultural heritage protectionlist, the Ministry of Culture issued the same year was awarded thefirst "Cultural Heritage Day Award." Heritage also received a lot ofpeople Fanzheng an honorary title. On the other hand, Mount TaiShadow Play often seen in domestic and international culturalexchange and commercial high-performance activities in the area buthave less time and opportunity for regular performances. Highvisibility in the city village residents and the general lack ofunderstanding of its contrast.Growth in urban cultural environment in the shadow of MountTai, in the non-material cultural heritage protection project with thehelp of not only the life of the gradual dying back to life, andinheritors of the overall decline in Shandong shadow form, it can easethe social impact will be Forces to the limit. Urban space, culturalheritage of national positions and occasionally folk activities in theentertainment above a collision, by virtue of this study also used asurprised scholar’s village culture. From folklore and anthropologyperspective, traditional folk culture of the village just note that itshould focus on the tribe, village, villages, towns and strong localflavor. Shadow Mountain happens to reverse the context of this singleexistence. Rural and urban, traditional and modern agriculture andindustry-to survive in the traditional culture of the network structureof the folk opera with the previous cases have many differences.Shadow Mountain Folk therefore became a folk entertainment of aspecial case. Folk from the entertainment and cultural interaction with thepublic proceeding, the paper is divided into four parts: introduction tothe thesis research focused on the causes, the main thesis describesthe meaning, purpose, method and so on. The first chapter on theshadow of Mount Tai in Shandong will be the overall framework ofthe shadow school history and the Chinese shadow history of nodesof their relationship. Contact Mount Shadow of the existing form,questioning its shadow changes in the history of the transmissiontechniques have not produced fracture or the possibility of beingre-shaped. Shadow schools while on the comparison of Shandong,but also careful not to refute the shadow produced in Shandong, thetraditional view of his hometown. The second chapter, focusing onShadow Mountain describes the unique aesthetic form and stagesituations, through the integrated study of its art form, objective andrational analysis of the folk art of shadow play Tarzan value andaesthetic value. Chapter III, will be placed in the city of Tai’an in theshadow of religion, folk beliefs, Taoist and other multi-culturalcontext. The paper examines the question put to the city economy andculture in the context of comparison of results, combined with Tai’anCity Taishan culture and folk artists and cultural personality andmembers of the public property, and finally draws conclusions paper.