On The Poetic Characteristics In Guo Moruo’s Plays

This paper focuses on the key issues---the distinctive poetic in Guo Moruo’s plays,. It interprets and explores the poetic history permeability,from the aspects of performance, traceability, nature and form By combing and grasping of Guo Moruo historical drama text and its basic theory,it further explores the formation mechanism of guo moruo’s poetic historical play and aesthetic features.Study on poetic penetration of Guo Moruo’s historical plays is based on the following three levels:Chapter One, Poets and poem teaching. The poet Guo Moruo is essentially a script. On style preferences, he naturally loves poems. He thinks "poem is the sentiment". Fiction and drama are not as straight cut as poems.His view of literature and art is that poetry is the center."Lyric" as the core, it contains two aspects,---"self-expression" and "natural language" in content and form. Writing as a poet Guo Moruo treated plays as poetry. His plays are known as "not collecting formof poetry".In addition to the lyric, Guo moruo’s historical plays have distinctive characteristic of the enlightenment, He was to spread anddivergence as the core, to specific performance change and create the purpose of life poetics. His poetic view of life, is a blend of poetry teaching and teaching. Among them, the enlightenment is a core part of the poem.Chapter Two, poetry and poetic. At the source of creation, Guo Moruo respected Goethe’s "master". There is an obvious emotional line in the drama. The drama structure is also a kind of mood structure. The visual emotions for life poetics is the manner in which Guo Moruo perceived the world and built a structure of drama. Under the mood of the main line, Guo Moruo build up his like "crash" historical poetics view.Imagination and fiction core were his historical viewpoint of poetry.Creatively, he wrote his drama as poetry, Guo Moruo unearthed the poet’s subjective initiative.Chapter Three, Poetry, poetry and beauty. This chapter mainly studies the form of Guo Moruo’s drama and concretely analyzes Guo Moruo’s poetic drama in the process of the formation affected by the joint of Chinese and western. It is concluded that Guo type of poetic drama is not completely from the western ideological trend, but in the traditional foundation----Chinese and western QuWuCunJing, melting into a furnace. About Guo Moruo’s poetic drama, the author also analyzed its nature whether it is to drama poetry or drama. At the same time, since Guo Moruo’s drama has distinctive poetic style, how are the factors of the poem melted into the plays? How is the beauty of poetry melted into the beauty of the play? The author emphatically analyzed it from four aspects----the language, rhythm, imagery, artistic conception and so on.