The Exposition With "Cang" Of "Cang Run" In Landscape Painting Theory

This article mainly discusses the "Cang" of "Cang Run" in traditional Chineselandscape painting theory. Elaboration from the ink, the artistic conception and thefeature of "Cang" perspectives a series of exploration and discussion.The first partof the article mainly discusses the reasons of "Cang".From the point of natural,traditional theory and background of the thesis to illustrate the landscape painting"Cang".The second part of the article discusses the features of "Cang" in thelandscape painting, which is also the emphasis of this paper.The developmentof"Cang" from the point of view in the features of landscape painting can besummarized as the progressive relationship astringent, wool, coke.Also auxiliaryinstructions "Cang" is always relative to the exist of "Run" and have always playedan auxiliary role.The third part of the article mainly explores a sense of landscapepainting the contemporary significance of"Cang" in the context of the times.Andillustrates that "Cang" is a pure expression way in landscape painting ",Creatation offocus with the ink or sad mood.Another one is that "Cang" may exist in the presentlanguage in the form of the combination of several art phenomenon in contemporarydescription of landscape painting.