The New Media Art From The Perspective Of Dialogue Theory Of Bahtin

Bakhtin is one of the most important Russian theoreticians in the20th century, and has a lot of great achievements in the fields of dialogue theory, polyphony theory, carnival theory that caused the extensive research of scholars around the world. In the day and age, these theories of resources which are highly inclusive and interpretive is developed and extended, and used in philosophy, semiotics, linguistics, and other fields, forming many paths of research. One of the paths is attaching the dialogue theory on the developing study of new media art. Therefore, from analyzing the three perspectives of discourse subject, dialogue relations, and carnival sound, this article is based on the dialogue theory of Bakhtini as the framework and key, combination with typical cases in the new media art, revealing and illustrating the deep concept and the cultural value behind the dialogue theory of Bakhtin.The introduction of this paper mainly describes two parts; they are study summary and meaning. On the level of text and dialogue, discourse and communication, the first part expounds the research motivation. After that, some relevant review about origin and development of the Bakhtin dialogue theory, connotation of the Bakhtin dialogue theory and situation of the new media art research are conducted. Finally, they illustrate the basis of this thesis research further from the perspective of research significance.The first chapter of this paper investigates the definition of the subject, characteristic of the model and the new technology innovation on the view of discourse subject. It is manifested that the interactive discourse subject contains dialogue between author and reader, man-machine dialogue and multi-Medium dialogue. The mode of interactive discourse covers national common dialogue, effectiveness two-way dialogue and utilitarian business dialogue, the disinterestedness emotional dialogue. In the end, the study carries out forward-looking research and prediction on the interactive discourse, as well as the technological innovation.The second chapter of this paper explains that the idea of exteriorization is the foundation of putting forward polyphonic theory, on the view of the dialogue relationship between bakhtin polyphony theory and the new media art, and demonstrates that the dialogue relationship of new media art realizes the sublimation from " exteriorization surplus of vision " to " Polyphonic peer ". The first part of this chapter is expounding the "exteriorization surplus of vision" on the three aspects of connotation and Aesthetic understanding paradigm, intersubjectivity construction and the monologue deconstruction and the heteroglossia construction of the inter-subjective dialogue. The second part indicates that polyphony theory achieves aesthetic promoting for "exteriorization surplus of vision" and the conversational sublimation of diversification of communicative patterns. On the third part, it is the interpretation of meaning and reflection about the inter-subject of the new media art of numerous languages clamors.The third chapter researches Bakhtin carnival theory and discourse carnival of the new media art. In Part One, it is discussing a carnival square discourse of the new media art, from analyzing the connotation and essence of Bakhtin carnival theory to the construction of carnival voice. The second part is going into the carnival endoplasm of the new media art under the theory of Bakhtin dialogue, and indicating dispelling a single-core voice, establishing a dialogue pattern of freedom and simple. The last part Is a reminder that we need to alert the dangerous situation about the excessive entertainment on the new media art.The epilogue part combed the thread of the thesis and concludes paper ideas and research value.