Franz Joseph Haydn,1732-1809, one of the most important composers of the second half of the eighteenth century, is the representative of classical music. We will take Sonata E flat major Hob.XVI52,which is one of his last three piano sonatas, as an example to discuss his late deductive style of piano sonatas.This article is divided into three chapters. Haydn’s early works, the creation and staging of his piano sonatas are reported in the first chapter. Sonata E flat major Hob.XVI52 is taken as an example in the second chapter to explore his creation characteristic of rhythm,structure, texture and tonality in the form of analyzing the creation approach and the whole structure in each movement. In the third chapter, we explore the performance of Sonata E flat major Hob.XVI52 in Haydn’s point of view and master the emotions of the song, for example, strength adjusting and character reflecting, the isomorphism phenomenon of body language and music language, and the way to keep the whole work complete, and so on. |