Piano Performing And Teaching Based On Uyghur Folk Music

Our country is a multi-ethnic country, many composers use Xinjiang folk music material to create a lot of piano works with Xinjiang ethnic musical styles,greatly enriching the field of music creation in our country. Among these works, the author has found that the music works created with the material of Uyghur folk musics account for a large part of it. These works embody the perfect combination of Ethnic Folk Music and Western composition techniques, and also reflect that the composers keep the folk music features and make bold exploration of how to use the features of piano to reflect national music characteristics.In the playing and teaching the piano works, the significance of the author’s study lies in how to make the most appropriate interpretation of Uighur musical elements in Chinese piano works, the author studies. The research on the playing and teaching of Chinese piano work created based on the Uighur folk musics has great practical value and significance on the creation of piano works based on Xinjiang folk music. On the one hand, it enhances our understanding of Chinese piano works with Xinjiang ethnic style; on the other hand it makes us understand similarities and differences between it and other works on the playing and teaching.To make Chinese piano works have better development and innovation, we must carry forward the cultural characteristics of the ethnic music, to form personalized folk music characteristics. We should strive to make "piano ethnic style" and "ethnic music piano style" and let the Chinese piano work go to the world gradually and form our own ethnic styles and genres, making it have a place in the world music treasury.Based on the above background, this paper studies the playing and teaching of Chinese piano musical works created according to Uighur musics. This study not only helps us understand the embodiment and application of Uygur folk music features in Chinese piano works, but also provides a relatively complete reference for the playing and teaching of these works, what’s more it reflects the value of the integration of piano art and ethnic music, so it has a certain research value. This paper will use " The Playing And Teaching Of Chinese Piano Work Created Based On The Uighur Folk Musics " as the title, to summarize Chinese piano works created according to Uighur music, and to analyze the playing and teaching, as well as how to keep and reserve the musical creation features of the composer in the playing and teaching, and its playingand teaching analysis.This paper consists Four chapters totally:Chapter one: Introduction of Uighur and Uighur music, including the Uygur folk songs, instrumental music, dance, Twelve Muqam.Chapter two: Summarize and analyze the Chinese piano works created based on Uighur music.Chapter three: The core chapter of this paper. In-depth analysis of the playing and teaching of Chinese piano works created on the basis of Uighur ethnic musics,detailed analysis made from the Characteristics of rhythm and metre, key touching method and pedal usage.