Research On Zhao Xianzhang’s Formal Aesthetic And Literary Form

Zhao Xianzhang’s formal aesthetic research, from the form to the text, has experienced the process of theoretical analysis and basic construction, text research practice and form theory test. He put "through the form of expounding significance", through the literary text analysis, the analysis method of literary thought known as "method of form aesthetics, is from the text, language, structure, etc.) form of technical analysis of the text, and then from the height of philosophy to examine these forms contained in the spirit and aesthetic meaning, intended to come out of the pure form analysis limitations, get rid of the empty words from the text of the, explore Chinese literature to learn a new growth point. This article is from the development of the theory the foundation of Marxist Aesthetics of literature and art of, to the formal aesthetic research as a unifying and focal point of the whole article theory to interpret Zhao Xianzhang form of aesthetics to the significance of the literature research and the Chinese new literature development.The introduction mainly discusses the research situation of formal aesthetics in foreign countries, the discussion of Zhao Xianzhang’s formal aesthetics in China and the content and significance of Zhao Xianzhang’s formal aesthetics.The first chapter mainly discusses the basic connotation of Zhao Xianzhang’s formal aesthetics research. From the beginning of Zhao Xianzhang’s study of Marx’s literary aesthetics, the attention of the form has been gradually revealed. Marx "s literary aesthetics has infiltrated into Zhao Xianzhang’s literary and artistic thought, which is the basis ofphilosophy and methodology in the study of formal aesthetics. Form as a category of the origin of the west, from the philosophy to aesthetics, the concept of the form of the concept of the establishment of the form of aesthetics has a basic role. The theory of aesthetic form construction, the unity of history and logic method can rise to historical and rational coexisting height; at the same time, Zhao Xianzhang, aesthetic form as a kind of research method, supplement of the traditional theme of literature research methodology and refutation, is closer to the essence of literature research methods.The second chapter discusses the formal aesthetics in the study of Zhao Xianzhang’s literary form. Zhao Xianzhang applied formal aesthetics as a research method in the study of literary form, that is, "through the analysis of the meaning of the form". The study of literary form from the perspective of text theory is the most important feature of Zhao Xianzhang’s literary form research. Based on text theory, Zhao Xianzhang has conducted a survey of the text, and the use of the form of aesthetic methods-through the form of analysis of meaning, in the style of research, text form research to verify the form of aesthetic ideal. Zhao Xianzhang thought literature’s first essential meaning is the language form, and literature research only from the form start to find literature itself is.The third chapter discusses the relationship between Zhao Xianzhang’s literature and image. The relationship between literature and image is a form of aesthetic proposition, which is attributed to Zhao Xianzhang’s formal aesthetic research. Zhao Xianzhang’s study of image is "images" in literature, the research on the relationship between literature and image is Chinese new literature development, form aesthetics and literary studies among the proper meaning. The study of the relationship between literature and image with the method of "language graph Semiotics", with the core of "the study of the language and figure" as the core, to explore the two common characteristics in order to obtain an objective understanding of the relationship between the two. As one of the latest achievements in the research of literary form, the relationship between literature and image of Zhao Xianzhang has a very strong practical significance for the development of literature in the era of rapid development of new media.