Fei Ming And His Country Symbol

Fei Ming was famous for his unintelligibility for a long time for having a unique style in the history of modern literature and he was included in “Beijing School ” literature, for his work think constantly of old country, and at the early stage of the "May 4th" first began to write down stories, payed great attention to narrative skill, therefore, Fei Ming won the title of the ancestors of Beijing School literature. The creation of Fei Ming’s "country narration" belong to the sequence of the very first 30 years vernacular novels in 20s’ in China, in the literary field of "Beijing School", the vernacular culture symbol written by Fei Ming had had distinct imprint of The Times. At the same time, because of their different narrative, and strong cultural characteristics put traditional interesting and thinking into the conception of "rural" at the same time, which reflects the nature of the traditional interest and Buddhism philosophy meaning. Fei Ming’s accomplishments in Buddhism deeply influenced the his country style, showing obvious natural, lonesome equanimity the sense of distance, bitter taste of narration. In the perspective of cultural semiotics and narratology, this paper will expand research vision to Fei Ming’s novels, prose and poetry conception, trying to dig out the core conception of "country " narration, modernity and its expression way, explore the "county" symbol of Fei Ming for the cultural representation and structure function, disjunctive cultural symbol with function of expression, communication and cognition, through the analysis of the "country" of Fei Ming’s logical starting point of space construction and cultural significance to analyze Fei Ming’s cultural identity and belonging in traditional and modern, agricultural civilization and industrial civilization, to explore the construction and function of Fei Ming’s country as a symbol including language symbol structure, cultural structure, the sense of perspective and emotional ethical significance to spy on naturalness in the country code and Fei Ming’s individual anguish experience to see that fei Ming’s another concern of reality behind the "village- home" mode experience.